• Photos: © Dior / Photography: Mohamed Somji

    Dior Opens Concept Pop-up Store in Dubai

    Written by Yasmine M

    Jumeirah beach in Dubai is the site of a fascinating architectural innovation that houses a Dior pop-up store. The spaces have been designed in collaboration with the Italian firm WASP, whose mission is to create 3D printed eco-housing from natural materials.

    Created in partnership with WASP, the installation features a unique 3D printed structure that has been made from natural materials including clay, sand and raw fibres. The habitable structure comprises two circular modules that were 3D-printed thanks to advanced digital construction techniques designed by WASP for the project. The spaces were crafted from natural materials, combining clay, sand and raw fibers using an exceptional 3D printing system.

    The walls of the boutique feature Dior’s signature cannage motif. Inside the boutique, creations in popping acidulate colors celebrate the gentle pleasures of refined living, including the Dioriviera collection designed by Maria Grazia Chiuri. They are joined by iconic bags including the Dior Book Tote and Dior Caro, plus the latest additions to the Dior 2022 cruise line like Lady Dior in a horizontal East-West format, or Lady Dior Wicker baskets. The pop-up features beachside accessories and objects including deckchairs, parasols, cushions and bottles adorned with toile de Jouy, as well as a number of classic accessories from the house’s latest collections.

    The emblematic Toile de Jouy print adorns Dior Maison beach essentials such as deckchairs, parasols, cushions and bottles, enhancing the magic of this boldly innovative setting.

    Take a closer look at the concept store above. Head over to Dior’s website to shop the label’s latest styles.

    Photos: © Dior / Photography: Mohamed Somji
  • photography Sandra Myhrberg

    grooming Alicia Hurst & Thea Undemo

    An Interview with Colleagues

    Written by Yasmine by Yasmine M

    The new band is just about to release their first album, but first a new single JAMES. A preview of what is to come. As the summer has gone, we are all ready for some new music that hopefully lifts out spirits and gets us into that fall mood. Joel, Theo and Eric are three friends that decided to pursue their dreams, releasing during a demo sound that this could actually be something great. 

    Read Odalisque Magazine's interview below and be ready for some new fresh music to come this September. 

    How did you become a band?
    Joel: I remember showing Theo a demo or two in the beginning of life, as I later came to know it, and he immediately said something along the lines “Yes. We have to write more music. and play it live.”

    Erik: I was sharing an apartment with Joel and Theo at the time and overheard something in the making. I got inspired and started turning some knobs on the midi keyboard. They later asked if I could join the band.

    How would you desribe eachother, who is perhaps more funnier and more structured? 
    Gustav: I would say we’re all funny to each other, but Oscar has the loudest laugh. As far as showing up on time goes, I think we have a bad influence on eachother since most of us are really bad at it. Even Erik, who’s usually punctual, shows up an hour late since there’s no point in being on time.

    Were they obvious to you that it was music you were going to do?
    Joel: Definitely, and also no. Nothing has shaped life the way music has and I’d think it’s safe to say that not a day passes for any of us without music being a huge part of it. At the same time, there has been a lot going on in all of our lives, sometimes trying to lure us into other things, other directions. But yes, obvious in the sense that there is no alternative to making music, playing music, listening to music.

    What are your biggest influences and idols in music?
    Joel: Absolutely being in this band. I’m rarely as inspired as when we’ve had a session in the studio or for that matter just a phone call planning for things ahead. I think it’s just the sensation of knowing what’s possible being around these people. Other than that, there are just too many to name. 

    With your latest song “DARKRIDE” you collaborate with the artists Joakim Derlow, NASCH, and the filmmaker Pussel Widegren how come?
    Theo: Originally, the idea for colleagues was not to be a band. We just wanted to make music and release it through collaborations with other artists. Through our brief, yet long history we have worked with quite a few talented people.
    Joel: Joakim Derlow, NASCH and Pussel Widegren are no exception to this. They have all in one way or another inspired us during the process of writing the music and we feel very lucky to get to work with them in the visual representation.

    You yourself have described the song “DARKRIDE” as a “bill walk with a declining self-confidence as a companion. Speechless, but with hope as an umbrella “, a failing self-confidence is something you yourself have struggled with. What has helped you as a band to build self-confidence?

    Gustav: For me, performing live with colleagues has always made me feel like I’m better than I am. We’ve had some hard times working on stuff in the studio where small conflicts can surface, but on the stage it’s just pure joy and a real boost to our egos.

    You are also going to release an album now in September? What kind of music/vibe can you expect there?
    Joel: Yes, an album is very much in the works and will according to plans be released during the autumn. Musically it’s going to be noticeable that it’s an album, as opposed to prior releases, and put together in a way that paints a bigger picture.

    How long did it take to write the album?
    Joel: Effectively, probably less than a month but to patch together five different schedules has been harder than you might imagine during the last couple of years. One of the songs on the album started taking shape almost 7 years ago.

    Tell us more about your new music! (Darkride, the feeling, how it came about, what it means to you?
    Oscar: Life is FCKING journey. We do what we can to cope.
    Erik: Our coming single “James” is about the love-part of that journey, from a four
    dimensional perspective. Happiness, sorrow and the two-faced phases in between.

    Listen to today's release: James.

  • Bea putting on makeup, Boston (1973) © Nan Goldin

    This Will Not End Well

    Written by Lina Aastrup

    This Will Not End Well”
    Moderna Museet, Stockholm
    Oct 29 2022 – Feb 26 2023

    This Will Not End Well” at Moderna Museet Stockholm is an impressive retrospective of Nan Goldin’s oeuvre shown in a new way focusing on the artist as a filmmaker. In close collaboration with curator Fredrik Liew and architect Hala Wardé, six black boxes with different layout are specifically constructed to fit the artworks. Like a village of small houses inside the museum, each showing slideshows with sound – a mix of music and voiceovers where Goldin reads from medical reports, excerpts from interviews etc.

    The iconic American artist, known for her intimate photographs of the queer scene in New York in the 80s-90s, is also a fearless activist using her leverage in the artworld to fight against the artwashing of the Sackler family and their Oxycontin-fortune. The latter has recently been portrayed in the documentary “All the Beauty and the Bloodshed” (2022) by Laura Poitra which won a Golden Lion in Venice and will be shown at Stockholm Filmfestival Nov 9-20.

    While the slideshows are acutely personal, they speak of the foundations of human life - love, pain, intimacy, beauty and grief. Goldin describes the first slideshow “The Ballad of Sexual Dependency” (1981-2022) as a diary that she lets everyone read. “This Will Not End Well” is title full of humor and irony that in Goldin’s words refer to the “bright glare of mortality” that we wake up to every day of living. The exhibition takes the audience through a full range of intense and dark emotions. While extraordinary and brilliant, it is not a show you breeze through but certainly one that will linger in both heart and mind.

    The exhibition will continue on a tour to Stedelijk Museum in Amsterdam, Neue Nationalgalerie in Berlin, and Pirelli HangarBicocca in Milan.

    Amanda at the sauna, Hotel Savoy, Berlin (1983) © Nan Goldin
    Greer modeling jewelry, NYC (1985) © Nan Goldin
    Jimmy, Paulette, and Misty, New York (1991) © Nan Goldin
    The hug, New York City, 1980 © Nan Goldin

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