• Photos by Jean Baptiste Beranger, © Bernar Venet, courtesy of the artist and Wetterling Gallery Stockholm.

    Bernar Venet is disorganising order

    Written by Natalia Muntean

    Renowned as a “giant of contemporary art,” Bernar Venet, born in 1941 in Château-Arnoux, France, has spent over six decades pushing the boundaries of artistic expression. As the most internationally exhibited French artist, Venet's radical style reimagines traditional sculpture forms and extends into various artistic realms, including monumental corten steel sculptures, painting, performance, poetry, sound, design, and photography. 

    From January 25 until March 8, 2024, Wetterling Gallery is showcasing Venet's latest works in an exhibition called “Disorganizing Order”. The exhibition features recent sculptures, drawings, and paintings by Venet and serves as a canvas for the artist's overarching “principle of equivalence.” This guiding principle, transcending disciplines, encapsulates his latest theoretical explorations, centred on concepts like entropy, unpredictability, and self-reference. At the core of the exhibition are the recent Collapses (Effondrements) - stacks of Arcs arranged by chance and gravity, challenging the traditional vertical structure of sculptures and offering a delicate balance between unpredictability and mathematical precision. The exhibition's final room features paintings from the Diffeomorphism (Difféomorphisme) series, where Venet digitally distorts scientific texts, creating a contrast between surface confusion and logical-mathematical formulas.

    There is an interplay between order and disorder, precision and unpredictability, that dominates Venet’s works, adding depth and complexity. It encourages viewers to contemplate the balance between control and chance, while also challenging traditional artistic norms and inviting a closer examination of the relationships between opposing forces in his creations. With works in over 70 museums worldwide, Venet continues to captivate global audiences from his dual bases in France and New York.

    Photos by Jean Baptiste Beranger, © Bernar Venet, courtesy of the artist and Wetterling Gallery Stockholm.

  • Viggo wears

    shirt We two
    trousers Dickies
    dress Baum und Pferdgarten
    shoes Dr. Martens
    rings Sif Jacobs

    Rebecca wears

    shirt Urban outfitters
    skirts Baum und Pferdgarten
    stockings Swedish Stockings
    shoes Dr. Martens
    earrings Clara Fina
    ring Sägen
    photography Sandra Myhrberg
    fashion, hair & makeup Filippa Finn & Emelie Bodén

    Suite Simone: An Electronic Celebration of Nostalgia

    Written by Emil Björnius by Filippa Finn

    One is pretty much a pioneer with over 15 years in the industry. The other one has had a meteoric rise to fame and could be seen playing at Boiler Room in Stockholm two years ago. In their new joint project, Suite Simone, Rebecca Scheja and Viggo Dyst let melancholy take a vital part in their genre-crossing music.

    Suite Simone is probably one of the most exciting things to happen to Swedish electronic music since DJ Seinfeld, and it is easy to understand why. Rebecca and Viggo share a love for vibrant, ambient and emotional melodies, which they successfully combine with merciless breakbeats. They do this with a mature yet playful sound. Rebecca has a lot of experience in the industry. Viggo describes himself as a true nerd who – in his younger years – preferred to produce beats while his friends played computer games.

    We meet digitally, and Rebecca and Viggo are about to start the day in their music studio. With different backgrounds, they complete each other. Rebecca’s career began in 2008 when female DJs were a rare phenomenon on the Swedish club scene. Rebecca & Fiona has been a powerhouse on the Swedish music scene for nearly a decade. On the other hand, Viggo released his first material on Spotify ten years later and has since studied music theory, lived in Berlin and worked with prominent Swedish producer La Fleur.

    How did the two of you meet?

    Rebecca: We met at a writing camp hosted by Vivrant Records. I was there as a producer, lyricist, and songwriter, and meeting Viggo was like love at first sight.

    Viggo: I joined the camp unexpectedly due to a cancellation during the COVID-19 pandemic. Rebecca and I connected instantly, especially while creating “Lost in Love.” We decided to form a band after that session.

    You come from different backgrounds but share an equal love for electronic music. Tell me about Suite Simone:

    Rebecca: We share a lot of nostalgic love for the Basshunter era. Viggo comes more from techno, and I am from the house genre. In the project, we strive for a melancholic melodic language but also want to up the tempo. Suite Simone can be a little dark and sad at times.

    Viggo: “Lost in Love” is an excellent example of the spread of genres in a single song. You can find both UK breakbeat and some Italo vibes. I've never really landed on what I wanted to do, so the common thread has never been a genre but a language conveyed through all the songs. The first songs were a bit more 90s, then we've come up in years, so the latter has leaned more towards how Deadmau5 sounded in 2008. We've simply landed in a combination of EDM, trance and techno. don't want to be put in a specific compartment.

    Tell me a little bit about the dynamics in your duo.

    Rebecca: I don’t think we have ever argued about anything. We have chemistry around the melody and in how we do things. It has been very effortless.

    Viggo: I've never been angry with you. We have a very mutual understanding. We are also responsive to each other. The work we do together must be completely open, “if you do this, then I will take responsibility for that.” It has been a satisfactory relationship. I sit at the computer and tweak things, but we try to have an equal relationship. Rebecca is with me when I mix, and I am there when Rebecca writes lyrics.

    Rebecca: I have learned incredibly much when it comes to mixing. I had Viggo's role a lot while working with Fiona, so it has been nice to switch things up. Viggo is incredibly educational.

    When are you going on tour?

    Rebecca: We will aim to run hard this spring. Everything needs to be nailed down. Our album will come out this spring, at the beginning of March, then we’ll probably tour a lot.

    Viggo: You are so invited to our release party.

    If you had to choose, who would be the dream collaboration, and why?

    Rebecca: The only producer that would have been epic to work with is Timbaland.

    Viggo: So many good producers do similar things to us, but we can do that ourselves. Timbaland is a little something else. Regarding artists, it would be someone from a completely different world, like Enya, Björk or Rozalia, maybe?

    Listen to Suite Simone's new singel Ajuna!

    coat Remake

    necklace Caroline Svedbom

    Viggo wears
    shirt Sofia Corneskog
    trousers Lee
    shoes Stylist’s own
    bracelet Sif Jacobs

    Rebecca wears
    shirt Hosbjerg
    trousers Baum und Pferdgarten
    shoes Tamaris
    earrings Stylist’s own
    necklace Sif Jacobs

    Viggo wears
    coat Remake
    shoes Dr. Martens

    necklace Caroline Svedbom

    Rebecca wears
    dress Samsoe Samsoe
    coat STHLM MISC

    stockings Swedish Stockings

    shoes Stylist’s own
    earrings Sägen

    Rebecca wears
    veil Sofia Corneskog
    shirt Sofia Corneskog
    stockings Swedish Stockings
    shoes Talent’s own
    rings Sägen

    Viggo wears
    leather jacket Brixtol Textiles
    shirt Ahlvar Gallery
    trousers Stylist’s own
    shoes Stylist’s own
    rings Sägen

    Viggo wears

    leather jacket Replay
    sunglasses Guess
    necklace Sif Jacobs

    Rebecca wears
    coat PelloBello
    sunglasses MaxMara
    necklace Sif Jacobs
    earrings Sägen
    shirt LEVI’S
    earrings Stylist’s own
    photography Sandra Myhrberg
    fashion, hair & makeup Filippa Finn & Emelie Bodén
    photography assistant Rebecka Barlach
    fashion, hair & makeup assistant Vanessa Eriksson Tonelli
  • photography by Wendy Bevan

    Interview With The Musician UMI

    Written by Wendy Bevan by Emelie Bodén

    As I waited for Umi to arrive at my home in Los Angeles I watched the skies, that  had been a little heavy over the last days, darker clouds, heavy light, even some rain but still, golden outlines that held the clouds tightly, out of sight above us. The golden rays of the sun shone low, it was a classic Los Angeles afternoon.
    Earlier that day, I’d listened to some of Umi’s music and was keen to meet this young artist who was bringing a ray of light to the contemporary R&B scene. It was no surprise to me that minutes before she arrived, a huge, brilliant rainbow had arched itself over the Hollywood Hills in the distance, boldly glowing with each of its seven vibrant colours across the Canyons.
    A perfect entrance for Umi, the new musical artist and healer who loves life and feels guided by the elements.

    Who is UMI?

    Umi is a multidimensional artist and healer. Umi is a friend who understands you and seeks to understand you more. Umi loves life

    Tell me about your inspiration behind your EP talking to the wind. You found the motivation to write this whilst meditating. How important is meditation in your songwriting and practising as a musician?

    It's so important, in order to create music that is very authentic to me. It requires the outside noise, so you can create from your centre, versus the centre of others. So, every time I meditate I feel like all the extra clutter disappears and I get a clear inspiration of what I want to do and what I want to create. It's like the healer to writer's block, the healer to self doubt, the healer to confusion, it's like my important centre practice.

    How long have you practised meditation?

    Like 8 years now. I started when I went to college, right when I graduated high school. I had so much anxiety every day, and I got to this point when I thought ‘I cannot live my life like this.” I heard about meditation from my mom who practises Buddhism, so I knew about mediation from her but never really did it growing up. So I tried this ten minute meditation and I had never experienced that much peace and quiet in my mind before. I literally started crying after that. I didn’t know it was possible to have such an empty state, so after that I thought “whatever this is, I’m going to dedicate my life to learning more about it.”

    So do you enjoy Buddhist wisdom?

    Mmmm I do! I love it because it's very simple and it doesn’t demand anybody to believe it or to understand or believe; it's just ‘this is what’s been passed down- it just asks if it resonates with you.’ It's also very flexible, there’s many different types of Buddhism. The specific type my mom practices is from Japan, and it talks about the self as the universe and how we in ourselves are our own universe. There’s parts of it I resonate with and parts I don’t resonate with. I appreciate it because it's more of a teaching than a formed belief.

    So, talking to the wind- what is the EP actually about?

    The EP itself is an experience and a journey. The title talking to the wind is about how when I’m confused I’ll sit outside and let the wind and the elements guide me. I think that nature has a very simple way of speaking their words. It's just from the heart, it's very simple like “Just be, it's gonna be ok, trust.” It's very simple. So when I was making this project, I think I was learning about trust; how to trust myself, how to trust my journey. In each song, I remember a different aspect of my life I didn’t trust, so I wrote the song to help me learn to trust more. The whole project really is about trust, so I hope when people listen to it, it gives them the same feeling of meditation, being outside, and that by the end of listening to the project, some type of inspiration clarity will arise through you. That’s the intention behind it.

    Vogue has quoted your r&b style as those spent at the beach and carefree summers in LA- how would you spend your perfect carefree summer?

    Ohhhh I’d wake up whenever I want to wake up, I’d stretch, I’d eat some fruit, and then I would go to the beach with some friends, I’d jump in the water, do mediation, see my friends and listen to some music and let the wind take us from there….

    How influential were the dreams you had as a child in your adult life?

    I feel like they have been a direct translation in a way. Ever since I was little I always saw myself on stage. But when I was playing music pretending to have a show or pretending to record in the studio or pretending to write a song, I knew that that’s just what I enjoy and love doing. I’d dream about it…. So I feel like those dreams remind me that I’m doing exactly what I feel is my purpose and what I’m inspired to do. Why else would I want to do that when I was so little, when I had infinite other things to play with and do… it's cool, too, when I close my eyes I can still see the same dreams as I did when I was little. I can still see myself on stage, or being in the studio… all still on my mind, all stuck with me.

    You embrace love, life but above all feel ok with being lost in the world. When you feel lost, what gives you comfort and what guides you through darker times towards your light?

    That’s such a poetic question! I think back to all the other times I felt lost, and I was kind of okay in the end, and I think why would they be any different- some of those memories are comforting; I think friends and family are comforting. Hearing from outside of you that you’re going to be ok, sometimes you need that. Sometimes you need the outside to help grow the inside. So those two things help you.

    How important are the elements in your work? Do you feel you are guided by the moon?

    Yes!! I totally am. I’m learning to honour my cycle within the month like the moon. When the moon is full, it's my most energetic time, my most outward extroverted time, and when it's the new moon, I feel very to myself and like I want to be in a cave and write in my journal andcreate. By honouring how I feel, it allows me to go with the flow of creativity, whereas sometimes you need to document creativity and sometimes you need to go out and experience to go out and document in a way. So I think the elements are so important. They help me stay organic and natural. An important part of my art and music is, it's not manufactured art. I get it from inside myself first and I think when you look at the moon and you look at the trees, it’s like an inside out creation.

    why don't we go '' is the first track from the new EP. You wrote it whilst falling in love….. Can you describe why that person felt special to you and inspired you to write the song?

    Ohhh! I just tweeted this tweet; saying it reminds me of falling in love and one of the lyrics is ‘When summer left you came’ and I feel like whenever Fall comes round, I always fall in love. Falling in love with something new, someone new, a new part of myself. I don’t know, it's like a very romantic period for me and so I wrote this reflecting back at the more fleeting relationships I had. So, ‘why don't we go’ is all about spontaneity and embracing spontaneity and being ok with not knowing what’s going to happen or what the plan is, but following your heart. I always fall in love with somebody when I do that, so that’s what I thought about when I wrote “why don't we go.” Also, what's cool about it is that I wrote most of the songs in London in the Fall time too, so it reminds me of Europe when I hear that song.

    Where is your favourite place in the world?

    My favourite place…. You know, the more nomadic I’ve become in my life, the more my favourite places are where my friends and family are. A couple of days ago I did this meditation show and all my friends, team and family came to support me and I thought “THIS! Is where I want to be in the world: this feeling.” So my favourite place is a feeling - it's that warmth.

    If your music could change anything for your listeners, what would it be?  Is it important to you that your music touches the soul?

    I’ve never been asked this question before!! It's sooo nice. It's very important that my music touches the soul, I think it does. I think that's the difference that people feel when they hear my music; the thing that draws my fans back to my shows and back to me. If there’s one thing I could change for my fans, it would be the relationship with their emotions and them learning that it's ok for them to embrace their emotions.

    What’s your desert island disk? Your one album you would play on your desert island?

    D’angelo- Voodoo. It has range and it's so warm. I listen to that album like it's the only album I have on earth. It's a good one, it's great honestly.

    Last question; perhaps a question that influences the whole of your universe…tell me a little bit about how you grew up?

    I grew up in Seattle, which is rainy and gloomy a lot. I spent a lot of time outdoors and a lot of time indoors. Seattle is also super lushIt feels a little bit like an enchanted forest and I lived pretty deep in the forest versus the city, so I had a lot of childhood memories of bike riding through the forest and finding farms in the middle of the forest and sneaking into people's farms and running in the rain. I grew up with my mom and my dad; they divorced when I was pretty young so that was cool as I almost had two different experiences with my two parents. My mom is Japanese, so I went to Japanese School, watched Japanese TV, listened to Japanese Music, made Japanese friends and all that. Then when I was with my Dad, I was more with my African American family. I would spend weekends with him, we would go to the baptist church and I was in the children’s choir for most of my childhood. He would take me outside a lot to the park, and he was a DJ so he had racks of tapes he would put on. My Dad put me onto a lot of music when I was little. When my Dad wasn’t there, my grandma would take care of me, she would always take me to the library and we would read together a lot, that is a very vivid memory for me. I also grew up around music, so much music. First thing I’d listen to when I woke up; somebody was playing music in the house always. Yeah…I also have two little sisters. The twins. They are very important, also because when I was performing when I was little, my sister would stand and pretend to be my fans. We would play all-sorts of games together!! I was usually always the leader; teaching them songwriting, or math or something as the teacher! I played a lot in my childhood and I dreamed and imagined a lot. It does inform a lot about your universe, especially when it's phrased that way, it's like the memories you pull are different…that’s lovely

    Link to album here!

    photography by Wendy Bevan

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