• photography & videography Shane McCauley
    creative director & stylist Tara Boyette

    .

    dress Alexander Wang
    tights Wolford
    shoes Femme
    jewelry Flair Goods

    Tessa Rae - 'if you still like me in the morning, maybe we'll run away'

    Written by Emelie Bodén by Filippa Finn

    California Native Tessa Rae moved from Oakland to Los Angeles at an early age. The byproduct of creatives that founded the Wasteland clothing stores, Rae has been surrounded by fashion and music her entire life. She spent her youth immersed in her father’s vast vinyl and vintage rock t-shirt collections.
    Tessa Rae has crafted compelling pop music through a multitude of stylistic lenses before settling into a sweet spot writing folk-tinged indie-pop in 2022. As Rae builds towards the release of her Sweetly, Softly EP later this summer, each new single is a continuing exploration of the genre; displaying her innate talent for compelling emotion and imagery in her lyricism, and setting the tone for an exciting year to come.
    May 15th indie-pop singer-songwriter Tessa Rae shares her yearning new single “if you still like me in the morning.” The achingly sincere track examines Rae’s experience with jealousy as she wrestles with feelings of anxiety, desire, and uncertainty after having a dream where her crush chooses to return to a relationship with an ex. “If you still like me in the morning” is the second single offering from Rae’s upcoming EP Sweetly, Softly, arriving this summer.


    How would you describe your musical style today?
    It's indie pop with a lot of folk and bedroom pop influence. I’ve never been a pop girl but I love a good pop song structure. I think my sound is a whimsical amalgamation of a lot of niche influences.


    Tell us about your new single. How was it writing it, how has it been creating it?
    “if you still like me in the morning” was inspired by a dream I had that mirrored some emotions I was probably hiding from myself. It’s a little honeymoon love story with a big dose of jealousy. I wrote most of it alone on acoustic guitar and it turned out much more upbeat and colourful than I had envisioned.


    What emotions do you want listeners to have when they listen to your music?
    I hope listeners experience a spectrum of emotions—curiosity, nostalgia, a sense of connection. There is power in accepting there is no good without the bad. I try to grapple with that in my writing and I think people can relate to that dichotomy.


    What inspires you to write and create music?
    Songwriting is just an itch I have to scratch. It’s an instinct I follow that always leads me somewhere new. I love the unpredictability of it. It's important to keep creating and exploring new versions of yourself.


    Tell us three things about you that are important or funny?
    I’m the most indecisive person I know. I am likely to become a crazy cat lady. Rae is my middle name.

    Do you have any wishes? Advice for others?
    I’m working on feeling more confident and learning to enjoy being perceived. It’s touch and go. My hope is to lean into that. Advice for others…light the candle. Take the walk. Write in your journal. It’s the little things that make a big difference.


    What do you enjoy doing when not working?
    I’m so boring, all my friends would say music is my only hobby! It’s literally my favourite way to socialise. There’s nothing like it. I also love practising tarot. It grounds me and reminds me there are greater powers at be.


    How do you keep yourself sane with all your attention and work?
    I have a calm yet chaotic energy so I’ve found staying busy helps me stay sane. I’m a chronic over-thinker. Sometimes the less time with my thoughts the better.


    What do you gather energy from?
    I am an introvert at heart. I love time alone at home with my animals. I’m super cliche. Give me some sage, some incense and some mind numbing reality tv and I can usually find my happy place.


    What are your plans for the summer and autumn?
    Savouring the simple pleasures. Releasing an EP I’m endlessly proud of. Also envisioning a real New York moment in my near future.

    Listen to her new single 'if you still like me in the morning' here.

    dress Chanel
    tights Wolford
    shoes Gucci
    jewelry Vintage
    top Vintage
    shorts Shush Tong
    tights Wolford
    shoes Marc Jacobs
    dress Yume Yume

    cardigan & top Alexander Wang
    skirt Amuse Bouche

    shoes Jacquemus

    dress Vintage
    tights Wolfrod
    shoes Gucci
    jewelry Flair Goods

    photography & videography Shane McCauley
    creative director & stylist Tara Boyette
    set designer Bawb Mason
    makeup Caroline Hernandez
    hair Takuya Sugawara

    set assist Tad Mulugeta
    prod assist Stefanie King Warfield

    .

    dress Alexander Wang
    tights Wolford
    shoes Femme
    jewelry Flair Goods

  • portraits: courtesy of Kapital

    photography Ole Berg-Rusten/NTB

    Jorunn Hancke Øgstad: Art Is the Heartbeat of Society

    Written by Natalia Muntean

    To kick off Stockholm Art Week, we have asked several interesting people from the city’s art scene questions to explore their relationship to art and the city.

    Originally from Norway, Jorunn Hancke Øgstad is a contemporary artist whose work examines and questions the rhetoric of abstract art in paintings and sculptures. She employs, among other things, both traditional and non-traditional materials such as textile dye, epoxy, and plastic on unprepared canvases to examine the properties of these materials, imitating the processes of water painting, spray painting and printing. She draws inspiration from female contemporary artists and references art movements such as pop art and abstract expressionism.

    What inspired you to become an artist, and how has your artistic journey evolved?
    My path to becoming an artist has been rich and shaped by a variety of influences. Creativity was always my thing, sparked by my early days soaking up music. Early on I learned to make sense of abstract languages through playing the piano. As a kid, I dabbled in everything, music, writing, acting, and dancing. Initially, I figured filmmaking would be the perfect blend of my interests, but as I ventured down that road, I felt pulled towards art academies. They seemed less conventional, and their emphasis on freedom and non-hierarchical creative processes appealed to me.

    I spent years in my studio after graduating from the academy, trying out different things and putting in the hours to figure out my direction before sharing my work more widely. Eventually, things started to click. Having a kid played a role—I had to manage my time better, which meant less time second-guessing myself and more time creating. I began collaborating with the gallery VI, VII in Oslo back in 2019, and it's been a really interesting journey so far.

    What is your creative process like, and how do you approach developing new ideas and concepts for your work? 
    When it comes to painting, I like to have a rough plan in mind but also allow the materials to guide their own narrative and take me in unexpected directions. As for exhibitions, I take cues from the space and context itself and let that shape the concepts. My personal experiences also seep into my work, although those stories are mostly just for me.

    What role do you think art plays in society, and how do you see your work contributing to or challenging societal norms? 
    The big question! I believe art is essential – it's like the heartbeat of society, and inconceivable to imagine a world without culture. I've been giving a lot of thought lately to how art fits into societal change and the broader pushback against growing authoritarianism. While I don't think art has to be explicitly political to make a difference, I firmly believe that art, by its very nature, challenges authoritarian ideologies. However, there is this tricky dance with the commercial side of art, and we need to talk more about if and how art can effect change within the confines of a capitalist trading system.

    I place my faith in the power of inclusive communities rooted in humanistic values, the kind that you often find in art circles, and I draw inspiration from the collective wisdom of my peers. On a brighter note, when you dive into art, you're basically imagining what our society could or should look like, and the world definitely needs more of that. For me, there are some core values in art that are important, and we should protect and promote them.

    portraits: courtesy of Kapital

    photography Ole Berg-Rusten/NTB

  • Image courtsy the artist / Carl Kostyál

    Yves Scherer: “Being An Artist is about Showing up Every Day”

    Written by Natalia Muntean

    To kick off Stockholm Art Week, we have asked a number of interesting people from the city’s art scene questions to explore their relationship to art and the city.

    Born in Switzerland, Yves Scherer’s work explores identity through sculptures, lenticular prints, and installations that blend autobiographies, collective memories, and fan fiction, blurring the line between reality and virtuality. His art deals with questions of the self, celebrity, and mediated realities. Mainly working in sculpture and installation, he creates immersive environments that offer a romantic perspective on the self and everyday life.

    What is the story behind your exhibition during Stockholm Art Week?
    I’m presenting a group of lenticular works under the title “AS IT IS IN HEAVEN”. The works are a combination of personal photographs with appropriated images from a Mario Sorrenti book depicting Kate Moss when she was a young girl and his girlfriend. I hand-coloured these images and using a technology of my own development now present them in combination with flower photographs that I took on my analogue camera in my private life and travels.

    What inspired you to become an artist, and how has your artistic journey evolved?
    My first interest was in literature and books. Growing up in a small village, these things first opened up the wider world to me. After this, my interest in visual art developed in Berlin, professionalized a bit in London and now I think has matured in New York.

    What is your creative process like, and how do you approach developing new ideas and concepts for your work?
    I think it’s just about showing up every day and trying to do it better than the day before. My practice has always been quite broad so getting older I focus more on narrowing it down and refining things. With this, the threshold for starting new things has become higher also, it’s hard to do anything really well so you don’t want to spread it too thin.

    Are there any particular themes or subjects that consistently appear in your work, and if so, what draws you to them?
    I have some formal interests such as in figurative sculpture or a certain kind of painting, and in terms of content, I have long been interested in mixing public figures such as celebrities with experiences in my own life to create a sort of confusion of realities or fan fiction.

    Is there a Swedish artist who you find inspirational?
    I’m looking forward to visiting the Carl Eldhs museum and I like the young artist EvelinaHägglund.

    Carl Kostyál. YVES SCHERER​ Imagine (Face Kate)

    2024 Archival print, acrylic glass,

    lenticular lens and Dibond in artist frame with Glass ​

    160 x 120 cm (framed 163.5 x 123.5 cm)

    Carl Kostyál. Yves Scherer Imagine (Mountain Flowers)

    2024 Archival print, acrylic glass, lenticular lens and Dibond in artist frame with Glass

    160h x 120w cm 62.99h x 47.24w in

    Carl Kostyál. Yves Scherer Imagine (Mountain Flowers)

    2024 Archival print, acrylic glass, lenticular lens and Dibond in artist frame with Glass

    160h x 120w cm 62.99h x 47.24w in

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