• photography Marcus Askelöf
    fashion Jahwanna Berglund
    total look Julia Weström

    Stark

    photography by Marcus Askelöf by Janae Mcintosh
    dress Michael Kors Collection
    jewellery Tiffany & Co
    dress & body Michael Kors Collection
    belt Cartier
    jewellery Engelbert 1920
    stockings Swedish Stockings
    total look Louis Vuitton
    earring Ole Lynggaard
    heels Celine
    total look Celine
    watch Cartier
    knee socks Swedish Stockings
    total look Hermès
    total look Julia Weström
    dress Bare Stockholm
    necklace and heels Hermès
    bracelets Louis Abel
    skin Skinome rich emulsion Obayaty tinted moisturizer face booster light medium
    eyes Uoga Uoga super soft eye pencil black Inika Organic liquid eyeliner black
    lips Mádara velvet wear matte cream lipstick #31
    photography Marcus Askelöf
    fashion Jahwanna Berglund
    production Jim Widgren
    makeup Linda Öhrström / Link Details
    hair Moona Narancic
    model Emma Stålhammar / Mikas 
    photography assistant: Daniel Ersson
  • photography Hervé Moutou
    fashion Aurore Vain

    bustier and  tie ANAYATA

    panties Etam
    tights Calzedonia
    shoes Soulier Martinez
    jewellery Ketineska Bijoux

    earrings Ketineska Bijoux

    DOTS & STRIPES

    photography by Hervé Moutou by Janae Mcintosh
    shirt MOSSI
    bustier & tie ANAYATA
    panties Etam
    tights Calzedonia
    earrings Ketineska Bijoux

    right image
    dress Maison Sarah Lavoine
    top Nanushka

    shoes IRO

    earcuff Stylist's Own

    bracelet Ketineska Bijoux

    top Fête Impériale
    skirt NATAN
    tights Calzedonia
    shoes André
    bag Jacquemus
    ring & earrings Ketineska Bijoux
    dresses Chambre de Fan
    ring Ketineska Bijoux
    coat IRO
    bra Etam
    shorts Paul & Joe
    tights Dim
    shoes Aldo
    necklace & ring Ketineska Bijoux
    photography Hervé Moutou
    fashion Aurore Vain
    makeup Domitille Guilbault
    hair Miki Sato
    model Xara Giulla
    fashion assistant Gwendoline Plaisir
    special thanks to Le Palais 1
  • All images courtesy of MORJAS

    Image from MORJAS summer25 campaign

    Building a Brand with Soul: Henrik Berg on the Story Behind MORJAS

    Written by Ulrika Lindqvist

    For Henrik Berg, founder of premium footwear label MORJAS, the magic lies in the details — not just in the shoes, but in the entire brand experience. From a Stockholm apartment stacked with boxes to a flagship store and a newly launched women’s line, Berg shares how frustration became fuel, how timelessness trumps trend, and why good design should always leave a lasting impression.

    Ulrika Lindqvist: Can you tell us how long you've been working in accessory design and what originally inspired you to pursue a career in this field?
    Henrik Berg: MORJAS was launched in 2017 and I worked on it 1.5-2 years before launching so I’ve been in the business for about 10 years.
    I’ve always been drawn to the full experience of a brand, not only product design, but the whole spectrum of the brand universe. From visual aesthetics to materials, silhouettes and packaging and so on. To me, it’s important to blend a variety of ingredients that together create a memorable taste.This has been with me since a young age, I've been interested in both aesthetics (furniture, architecture, art, music, style) and business and how the two worlds can interact. The two don'talways overlap naturally, but when they do, it’s really interesting.
    My first real career experience came from working at Maria Nila, a beauty brand where I launched the brand globally working as an Export Manager. It was stimulating to work with the full scope of brand building, from product to storytelling to customer experience. Again, the full scope of a brand is something that has remained my core since.

    UL: What motivated you to found MORJAS?
    HBI was a frustrated customer. Period. I was a customer of high-quality shoes, but kept running into the same frustrating experience where I didn’t think that the value you received matched the price you paid – from product to brand experience. That disconnect between product and brand, price and service, became a frustration I couldn't shake. MORJAS was born out of that tension. I wanted to create a brand that didn't just deliver great shoes, but gave you the feeling of being taken care of, from start to finish.

    UL: Please tell us about the process in creating the SS25 collection.
    HBSS25 is the most extensive collection we've released so far. We've focused more on casual styles this season, including sneakers and boat shoes. Every new season begins with the team sharing product ideas and design proposals. We look at the collection as a whole and ask what's missing, what can be improved, and what adds value. We've always prioritised refining what we have before adding new styles. This year is no exception, with an updated boat shoe, a new deck shoe, and a complete redesign of The Trainer.

    UL: Can you walk us through a typical workday?
    HBNo day looks the same, which is part of the appeal. We're a team of fourteen, so I stay close to most parts of the business. I hold meetings, sync with different teams, and try to carve out time for creative and strategic work. That could be researching products, outlining a new campaign, or shaping future steps. The energy at the office and the people around me are a big source of inspiration.

    UL: How do you view trends in the world of accessories—would you say you follow them, or go
    your own way?

    HB: We observe trends, but we're not driven by them. Style, to me, is separate from fashion. It lasts longer. The aim is always to create pieces that feel relevant today but still resonate in five or ten years. That's why we spend time refining shapes, silhouettes, and materials over time. We want things to age well.

    UL: What is your favourite piece from the collection?
    HBThe Penny Loafer will always hold a special place. It was the first shoe we launched back in 2017, and still feels like the anchor of the brand. It's traditional but distinctive, with a balance between Swedish design and Spanish soul. Right now, I've been wearing the new boat shoe in taupe nubuck on repeat. And once summer hits, I'll basically live in The Espadrille and our unlined penny loafers.

    UL: What would you say are the three core values of MORJAS?
    HBDeliver WOW. Be kind. Take action. These values shape how we operate, how we treat each other, and how we interact with customers.

    UL: How would you describe the MORJAS customer?
    HBCurious, detail-oriented, and quietly confident. They appreciate quality, but they don't need to shout about it. There's a shared mindset among many of them: people who care about the small things, how something feels, how it's made, how it's presented — because those things say something without saying too much.

    UL: Please tell us a memorable moment from your journey with MORJAS?
    HBThere are honestly too many to mention. The first day I launched will always be a strong memory. I had about 200-250 pair of shoes from floor to ceiling in my small apartment and orders came flooding in and I had not even thought about getting a printer to print the shipping labels. So mywife ran down to the store and bought one and I kept packing like a maniac. We were very lucky to sell out the first batch in the first week which was an overwhelming response.
    Another one was when I and my dear friend and photographer Abraham Engelmark got our way into Italy during Covid to portray John Goldberger (AKA Auro Montanari) for his first brand story ever. It was our first major campaign and to date still one of the best we’ve done. When we opened our first flagship store in Stockholm, Casa MORJAS, in 2023 was another big moment. More recently, launching MORJAS Women has been one of the biggest milestones in our journey.
    Seeing the response and excitement around it has been incredibly rewarding.

    UL: What are your plans for the future for MORJAS?
    HBTo continue refining what we've built. That means listening to our customers, evolving with purpose, and staying focused on long-term value. We're not in a rush. The aim is to build something that lasts — something people remember not just for the products, but for the way it made them feel.

     Henrik Berg
    Still life of The Espadrille 

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