• Collaborative Fashion & Jewelry Pop-Up at DJUPET

    Written by various by Elva Ahlbin

    A fresh convergence of style, identity, and craftsmanship arrives in Stockholm: from 25-28 September, a collaborative pop-up opens at DJUPET, showcasing bold voices in second hand fashion, handcrafted jewelry, and non-binary design—all under one roof. Whether you’re looking for curated re-made pieces, gender-free tailoring, or statement silver, there’s something for every aesthetic explorer.

    Where & When
    You’ll find the pop-up at the corner of Björngårdsgatan 1 & Sankt Paulsgatan in Stockholm. 

    Thursday: 11:00–20:00 
    Friday: 11:00–19:00
    Saturday: 11:00–18:00
    Sunday: 12:00–17:00


    What to Expect & Who’s Behind It
    Here’s a look at the makers and brands who will be present:

    STHLM MISC
    Launched in 2021, STHLM MISC is a Stockholm-based non-binary brand with strong ties to feminist and queer politics. Their mission: to break up with gender norms through fashion.

    They design clothes meant to straddle the feminine/masculine divide, welcoming all body shapes and identities. Many of their pieces are made from deadstock fabrics (unused surplus material), giving a more sustainable dimension.

    Shapeshifter
    Founded in Stockholm in 2024 by Astrid Philipson, Shapeshifter is a platform dedicated to giving wearables and artifacts new life through second-hand curation.

    Their aesthetic draws on mythology and elemental inspirations (earth, water, air, fire), seeking to resist fixed forms and normativity. You’ll find clothing, accessories, shoes, bags, hats, jewellery—all hand-picked from European suppliers.

    Johanna Edwardh
    Johanna Edwardh works with handcrafted jewelry carved from silver, specializing in bold designs and statement pieces. Her work includes rings, earrings, etc., made with high attention to texture and form. Her shop also offers custom orders.

    Maja Godek
    The space will also include works by Maja Godek. While less detail is available, expect visual or material art pieces—possibly sculptural or display work—that complement the fashion and jewelry on display.


    Why This Matters
    This pop-up is more than shopping. It’s a statement: craftsmanship, sustainability, and inclusive design. It’s about fashion that flexes identity and resists easy categorization. For those curious about non-binary aesthetics, second-hand reinvention, or jewelry with a strong sense of presence, this is a rare opportunity to see several creators together in one curated space.


    Photo credits: Jacob Yas, Jacob Möller, Astrid Philipsson

  • Michael Rider Marks His Arrival at Celine with Printemps 2026

    Written by Jahwanna Berglund

    The first campaign under Michael Rider’s creative direction at Celine has arrived, and it is nothing short of a statement. Shot by Zoë Ghertner, the Printemps 2026 campaign introduces Rider’s vision for the house with a cool precision, leaning into intimacy rather than spectacle. Kylie and Victoria, who both walked the Paris show in July, return as the campaign’s protagonists embodying Rider’s debut with a stripped-back elegance.

    At its heart lies the rebirth of an icon: the Luggage. Originally launched over a decade ago, the silhouette now returns as the New Luggage, unveiled on Rider’s debut runway and carried into the campaign as a centerpiece. The standout detail, the so-called “Smile Variation,” lends the bag a subtle playfulness that balances Celine’s reputation for understatement.

    The New Luggage is offered in supple, shiny lambskin across black, tan, citrus, oxide blue, and deep brown, alongside suede calfskin in beige and exotic Porosus crocodile in rich tones of black and chocolate. Oversized east–west shapes sit alongside smaller formats, each defined by versatility and Rider’s attention to construction and texture.

    The first drop, featuring the “Smile Variation,” will pre-launch at the end of September on celine.com and in select stores, before the full collection lands worldwide in mid-November.

    For Rider, stepping into Hedi Slimane’s shadow might have been daunting. Yet his first campaign suggests a different rhythm: less about a clean break, more about layering heritage with a modern sensibility. If Slimane’s Celine was razor-sharp and restless, Rider’s debut hints at a quieter confident one that extends the conversation between past and present without losing its edge.

  • sania d’mina Debuts in Nordiska Kompaniet’s Iconic Ljusgården

    Written by Jahwanna Berglund

    Swedish shoe brand sania d’mina is marking a new milestone with a striking presentation at Nordiska Kompaniet’s Ljusgården in Stockholm. The pop-up invited visitors into founder and designer Sania Claus Demina’s world, where Italian craftsmanship meets timeless elegance and contemporary comfort.


    The immersive setting designed by Daniel Kutlesovski, with photography by Erik Lefvander and creative production by Caroline Nyström—translated Demina’s personal vision into a refined environment that mirrors the brand’s DNA.


    “For sania d’mina to take place in NK’s Ljusgården is a dream come true. I’ve carried this vision for a long time, and being able to invite people into our universe here feels like a milestone, both personally and for the brand,” says Sania Claus Demina.


    Founded in 2018, sania d’mina was born out of Demina’s lifelong fascination with shoes and her relentless pursuit of the perfect balance between comfort and style. Since then, the brand has evolved into a symbol of uncompromising quality and timeless design creating shoes that are flattering, elegant, and a joy to wear.


    While the NK pop-up was live September 11–14, 2025, those who missed it can still experience the world of sania d’mina by booking private appointments at the brand’s Stockholm showroom.

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