• photography by Karim Sadli
    images and text courtesy of Chanel

    Chanel Fall-Winter 2023/24 Haute Couture Collection Preview

    Written by Fashion Tales

    Actress and musician Vanessa Paradis is the face of the Fall-Winter 2023/24 Haute Couture collection by Virginie Viard.
    The photographer Karim Sadli shot her on bridge Pont Alexandre III in Paris also know as “The City of Lights, the birthplace of CHANEL Haute Couture, in five images that reveal the first silhouettes of the show.

    Pont Alexandre III known for its Art Nouveau features forms inspired by nature wich aslo was mirrord in the collection. 

    The purity of a long strapless organza dress embellished with black velvet camellias meets the precision of a two-tone wool crêpe dress. Playing on contrasts, a mid-length dress in layers of ennobled laces echoes a blouse in satin crêpe with floral motifs, worn with a pleated skirt in gold tweed. Caught between a certain nonchalance and sophistication, the House ambassador embodies multiple facets of the Parisienne’s allure.



    Watch the film of the CHANEL Fall-Winter 2023/24 Haute Couture show under the link here www.chanel.com.

  • long finger gloves in white leather and a small version quilted
    leather motif Coco Crush ring in 18K yellow gold and diamonds
    all clothes and jewellery Chanel

    Chanel Instant Crush

    photography by Sandra Myhrberg
    Eternal N°5 transformable earrings, Eternal N°5 necklace and Eternal N°5
    ring paired with a quilted Coco Crush small ring, all in 18K white gold and
    diamonds. styled together with a long sleeve cotton t-shirt and a cape in
    black silk chiffon
    Coco Crush Coco Bracelet with quilted motif in 18K white gold paired
    with Coco Bracelet in quilted motif, 18K Beige Gold and a diamond
    Eternal N°5 ring, Eternal N°5 transformable earrings in 18K white gold
    and diamonds and a small and a mini Coco Crush ring in 18K white gold.
    Styled together with a white leather jacket with polka dots and trimmed lace
    finish.
    a pair of Coco Crush quilted motif hoop earrings in 18K beige gold
    paired with a quilted motif.
    Coco Crush necklace in 18K beige gold. 
    styled together with a matching set of black leather and polka dots
    with trimmed lace finish and white long finger gloves in leather
    Eternal N°5 ring in 18K white gold
    and diamonds, paired with a quilted
    motif, Coco Crush small version, 18K
    white gold and diamond embellished
    ring, a mini quilted motif Coco Crush
    ring in 18K white gold and holding
    Eternal N°5 transformable earring
    in 18K white gold and diamonds
    Coco Crush quilted motif earrings
    and the large version ring in 18K beige gold.
    styled with a body in black crepe embellished
    with a satin bow and a black tulle skirt with sequins.
    an 18K white gold and diamond embellished Coco Crush bracelet styles
    together with a white leather jacket and skirt with polka dots and 
    trimmed lace finish and booties in black strass fishnet, suede and patent leather
    Since 1987, the spirit of Première remains: it’s an ode to freedom,
    of people who live in the present and only retain the moment.
    The Premièr Original Edition watch combines two signature
    colors of the House:
    Black and Gold. Gold for Gabrielle Chanel’s love of all that spar-
    kles, including Baroque and Byzantine treasures as well as Vene-
    tian objects. And intense black, which underlines the essential.

    Styled together with a matching set of black leather and polka
    dots with trimmed lace finish, white long finger gloves in leather,
    booties in black strassed fishnet, suede and patent leather and
    a mini CHANEL 22 in black calfskin. Coco Crush quilted motif
    hoop earrings in 18K Beige Gold and a small Coco Crush Toi et
    Moi ring in 18K white and beige gold.
    photography Sandra Myhrberg
    fashion Jahwanna Berglund
    hair and makeup Elva Ahlbin using Chanel Beauty
    model Levi Anne / The Wonders
    quotes Emma Bernhard
    production assistant Carlos Ortega
    all clothes and jewellery Chanel
  • all jewellery & headpiece Stylist's Own

    photography Sandra Myhrberg

    fashion Alicia Hurst

    all clothing Sofia Corneskog

    An Interview With Sofia Corneskog

    Written by Josie McNeill by Josie McNeill

    Sofia Corneskog, a couture designer based out of Sweden, believes party and formal dresses should be worn for more than that one special occasion.

    According to her website, she designs clothes to be combined with other items in the customer’s wardrobe to create unexpected outfits and color combinations.

    Her designs range from custom designed bridal and party gowns to more casual, skirts, trousers and shirts. All her designs have a classic Corneskog flare, with bold colors mixed with timeless and romantic tulle, organza, and lace fabrics.

    Her hand-stitched, dreamy designs deserve to be taken off the closet hanger more than once. And if you listen to her fashion philosophy, you’ll find a little extra space in your everyday wardrobe just for that.

    When you fall in love with your clothes, they will last longer,” Corneskog wrote on her website.
    How did you first become involved in fashion and design?
    My interest in creativity has always been a part of me. My mother is very artistic and had a great interest in various forms of creation. She used to sew a lot, and I got the opportunity to try it out, so my interest in sewing developed at a very young age. My interest in fashion and design came about during my teenage years when I realized that I could sew the garments I wanted to wear.

    How would you describe your design aesthetic?
    I would describe my design aesthetic as “clean” and “simple,” with a touch of playfulness. I'm also drawn to the contrast between the delicate and the raw, the beautiful and the cool, all at the same time.

    Who do you mainly design for?
    I mainly design for women who dare to take up space and be noticed.

    What designers had the biggest influence on you?
    I draw inspiration from a wide range of designers, such as Vivienne Westwood, Stella McCartney, and fashion icon Iris Apfel. Generally, I'm inspired by women who dare to be themselves, who stick to their design language, and who show that it's never too late to fulfill your dreams.

    How does French couture influence your designs?
    French couture influences my designs through the tailored and custom-made aspect. The craftsmanship involved, where each garment is made to order and unique, tailored to fit one's body shape.

    How do you keep sustainability at the forefront of your designs?
    I prioritize sustainability in my designs primarily by creating garments on demand. This eliminates waste and the need for inventory. Additionally, I use fabrics from suppliers who have some form of sustainability certification. It's not easy to find such suppliers, but I try my best.

    What is your creative process?
    My creative process is always with me, and I find inspiration from life in general, both the harsh and the soft aspects. Many designers get ideas and sketch them out. I had a mentor once who encouraged me to experiment in the creative process, and that's usually how I approach it. I can be inspired by a beautiful fabric and then experiment until I achieve the desired end result, similar to painting a picture. If it doesn't turn out as intended, I make adjustments until I create the design I envision.

    How do you find a balance between your own aesthetic and the design that a customer commissions?
    Finding a balance between my own aesthetic and a customer's commission is something I struggle with. However, I no longer accept clients who want me to create something they have designed themselves. I want to work based on my design language and put my name on a design I can stand behind. Of course, customers can still provide their preferences and wishes.

    Do you mainly receive commissions for bridal or party dresses?
    Currently, I would say it's about a fifty-fifty split between bridal and party dress commissions. A couple of years ago, the majority of clients were brides, but now there are as many people seeking party dresses.

    What would you say is the main difference between your bridal designs and party dresses, besides the colors used?
    The main difference between my bridal designs and party dresses, besides the colors used, isn't significant in my opinion. Perhaps I allow myself to be a bit more adventurous with a party dress. Otherwise, I start with my design language, which is based on a clean and stylish expression with a hint of playfulness.

    Do you think there could be more crossover in the future between your bridal and party dress designs?
    I hope there will be more crossover between my bridal and party dress designs in the future! When I created the bridal collection for 2023, I designed some garments to be versatile enough to be worn as party dresses as well, which expands their usability significantly.

    shoes Vagabond

    sunglasses Emporio Armani

    ring IOAKU

    earrings Clara Fina

    shoes Steve Madden

    necklace Atelier Fanny Castro

    earrings Becca Design

    earrings Jocelyn
    earrings Stylist's Own
    earrings Jocelyn

    earrings Annikia Gustavsson

    necklace Stylist's Own

    earrings Sägen
    sunglasses Emporio Armani

    ring IOAKU

    shoes Nude Of Scandinavia

    bag Atelier Fanny Castro

    bracelet By Jolina

    earrings Clara Fina

    photography Sandra Myhrberg

    fashion Alicia Hurst

    hair & makeup Paloma Gonzalez

    model Astrid Baauer / The Wonders

    post production Emelie Hammarfelt

    all clothing Sofia Corneskog

    special thanks to Floroteket

    bag Weekday

    earrings Sägen

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