• photography Andy Liffner

    courtesy Layered

    A Decade of Design: Malin Glemme on Layered’s 10-Year Journey and the Future of Interior Aesthetics

    Written by Ulrika Lindqvist

    As Layered celebrates its 10-year anniversary, we sit down with founder and CEO Malin Glemme to reflect on a decade of design, creativity, and innovation. From an unexpected beginning—creating a rug for her own home—to building an internationally recognized brand, Malin shares her journey, the inspirations behind her work, and what’s next for Layered.

    Ulrika Lindqvist: Hi Malin, congratulations on celebrating 10 years with Layered!

    Malin Glemme: Thank you so much! It’s been an incredible journey, and I’m so proud of what we’ve achieved.

    UL: Could you share how long you've been working in the interior design industry and what initially inspired you to pursue a career in this field?

    MG: I’ve been working in the design industry for over a decade now. My journey began with a deep passion for creating beautiful spaces that evoke emotion and feel personal. In 2014, I was decorating my new 200-square-meter home on a limited budget. Having a background in product development, I decided to design my own rug. I found an amazing supplier in India who helped bring my idea to life, and the rug ended up being featured in Sköna Hem. Readers started reaching out, asking where they could purchase it, and that’s when I realized there was real interest in this kind of design. That moment inspired me to launch LAYERED with a vision of offering rugs that combine innovative and sustainable design.

    UL: What motivated you to establish Layered a decade ago?

    MG: The experience of creating that first rug and seeing people’s excitement about it made me realize there was a gap in the market. At the time, rugs were often treated as neutral backdrops rather than statement pieces. I wanted to change that by introducing designs that felt bold, stylish, and high-quality while being crafted sustainably. Layered was born out of a desire to elevate rugs to something that could truly anchor a room and tell a story.

    UL: Over the past 10 years, have there been any standout projects or events that hold a special place in your journey?

    MGThere are so many memorable moments! Collaborating with inspiring designers and launching collections that push creative boundaries has been incredibly rewarding. One standout memory is when we launched internationally—it was a pivotal moment that showed how far we’d come. Every production trip has also been memorable and inspiring. Meeting our suppliers, many of whom run family-owned businesses, and seeing their craftsmanship up close is always fascinating and invaluable. But honestly, some of the most meaningful moments come from customers who share how our products have transformed their homes. That connection to real people and their stories is what makes it all worthwhile.

    UL: We’d love to hear more about your jubilee collection—what inspired its creation, and what makes it unique?

    MGThe Ten Years Unfolded collection is a celebration of our journey. We revisited our archives and reimagined three of the very first designs we ever launched. These were pieces that helped define our signature style in Layered’s early days. While the patterns still felt relevant, we updated the color combinations to give them a fresh, contemporary look that fits today’s aesthetic. The collection is special because it represents where we started and how far we’ve come, blending heritage with innovation.

    UL: What is your most cherished piece of interior design in your own home, and why?

    MGThat’s such a difficult question, but I’d have to say my old wooden table from the 1800s. It has a very simple design with a beautiful patina and has been with me through every home over the past 20 years. I’ve even promised my children that it will always be a part of our homes—it’s become a symbol of comfort and continuity for us all. 

    UL: Can you take us through a typical workday in your life?

    MGNo two days are ever the same! I usually start my mornings with some quiet time to gather my thoughts—either a quick walk or a cup of coffee at home. A large part of my day revolves around my role as CEO, ensuring that Layered is not just creatively inspiring but also a healthy, thriving company. This means everything from reviewing budgets and planning long-term strategies to connecting with my team and fostering a strong company culture. I also make time for creative meetings, working on new designs, and planning collaborations. And, of course, balancing work with family life is incredibly important to me.

    UL: You’ve also launched another company, PICK A POPPY. How do you manage the demands of running two businesses simultaneously?

    MGIt’s definitely a challenge, but I’m passionate about both brands and their unique stories. I’ve learned to focus on what I do best and surround myself with amazing teams who share the same vision. Time management is key, as is trusting the people I work with. PICK A POPPY allows me to explore a more playful side of design, which complements my work with Layered beautifully.

    UL: Looking to the future, what’s next for you? Are there any specific projects, goals, or aspirations you’re especially excited about?

    MGI’m excited to continue pushing creative boundaries with both Layered and PICK A POPPY. For Layered, we’re focusing heavily on expanding in the U.S., where we’re seeing significant growth. In 2024, we’ll also be participating in several major global design weeks and fairs, including New York Design Festival, 3daysofdesign in Copenhagen, and Paris Design Week. These events are incredible opportunities to connect with international audiences and showcase our vision on a larger stage. Alongside that, we’re exploring ways to make our products even more sustainable and timeless, with exciting design collaborations in the works. Personally, I’d love to dive deeper into storytelling through design—whether it’s through new collections, partnerships, or finding fresh ways to inspire people in their homes.

  • photography Agnes Strand

    fashion & all clothing Katja Inga

    An interview with Katja Inga

    Written by Agnes Strand by Zohra Vanlerberghe

    Five years ago, designer and stylist Katja Hägelmark Johansson started her business, focusing on custom-made clothing. Since then, she has dressed many celebrities, brides and bridesmaids . In the fall of 2024, she pursued one of her other dreams and launched her ready-to-wear brand, KATJA INGA - clothing that is made in Stockholm, from first sketch to last seam.

    Agnes Strand: Who are you?
    Katja Inga: I’m Katja Hägelmark Johansson, designer and also founder of the Swedish brand KATJA INGA. I make a lot of custom-made pieces, for artists for example, but also wedding dresses and I do some styling under the name Katja Johansson Design. I also run my own brand since fall 2024, KATJA INGA. It’s a ready-to-wear brand where everything is sewn and designed in Stockholm.

    AS: Describe your design
    KI: I usually describe my design at KATJA INGA as Scandinavian and timeless, but with a twist. I work a lot with draping, for example, and I like to create pieces that can be worn in several different ways, so that they can have a long life in your wardrobe. I love simplicity, less is more, especially when it comes to color, but it shouldn’t be too basic. I work 90% of the time in black and white/cream white.

    AS: How did you get to where you are today?
    KI: I sewed a lot when I was a teenager. But then a lot of other things happened in life, I lived abroad for a while, then I started studying journalism in Kalmar, and that’s when I finally picked up my interest again and started sewing, day and night really. Thats almost 10 years ago now. I’ve taken a few classes at Tillskärarakademin in Gothenburg, in pattern making, materials science, etc., but at the core, I am self-taught. I started my own company in 2020 and it gave me a reel boost in my carrier when I was working with Idol in 2021. I saw that Sebastian Hammarberg (Stylebyseb) was going to style the Idols and was looking for an assistant who could sew, so I applied—and that’s how it started. I got the job, and since then, I’ve been working with this. A lot of custommade work, which I love; it’s so fun and creative. But having my own KATJA INGA has been something I’ve been longing for for such a long time.

    AS: Biggest challenges of running your own business?
    KI: Getting the word out! Right now, all of my designs and garments are made in Stockholm, which I’m incredibly proud of, and I want people to know that, but it’s so easy to get lost in the noise. It would be so wonderful if people actually realized that you can buy clothes that are made in Stockholm.

    AS: Where do you see yourself in the future?
    KI: My dream is to be able to work 100% with KATJA INGA. Right now, I do everything myself, design, sketches, social media, sewing, the business part etc. My goal is for KATJA INGA to grow, and to have employees, so that I can do what I love the most, the design part. I wish to have a showroom or a small store, with large windows facing the street. That’s what I’m hoping for.

    photography & text Agnes Strand

    fashion & all clothing Katja Inga

    models Sanna Sellbrand & Lili Gustafsson & Jamie Sallmén

  • Beyond Retail: Nordic Nest Elevates Scandinavian Design on the Global Stage

    Written by Jahwanna Berglund

    During Stockholm Design Week, Nordic Nest redefined its role in the design industry—not just as a retailer, but as a cultural bridge connecting Scandinavian craftsmanship with the world. For the first time, the company hosted an international design event, providing a platform for Iittala, Fritz Hansen, Audo Copenhagen, Louis Poulsen, and Gärsnäs to unveil their latest collections.

    This initiative reflects Nordic Nest’s commitment to amplifying the presence of both established and emerging Nordic brands on a global scale. By creating opportunities for international exposure, the company is reshaping the way Scandinavian design is experienced—beyond transactions, towards a broader cultural and artistic dialogue.

    More than just a showcase, the evening offered guests an immersive experience in Scandinavian design philosophy. Attendees were invited to a carefully curated table setting and seating experience, designed by the participating brands themselves. This interactive setting allowed guests to not only view the collections but also engage with them in a real-world context—a celebration of both form and function. Alongside this hands-on presentation, representatives from each brand introduced their latest collections, sharing the stories, craftsmanship, and inspiration behind the designs.


    We see ourselves as more than just a retailer; we’re partners in the success of Scandinavian brands,” says Bank Bergström, CEO of Nordic Nest.
    This dynamic week dedicated to design presents the perfect opportunity to elevate Scandinavian design across the globe. This event was our first of its kind, and it reflects our dedication to providing brands with a platform to not only sell but also to gain the visibility and recognition they deserve. By taking this step, we’re expanding the reach of Scandinavian design beyond the Nordic region.”

    The event underscored how Nordic Nest actively invests in the storytelling, heritage, and innovation behind Scandinavian design, ensuring that these brands aren’t just available for purchase but actively celebrated through strategic collaborations, international outreach, and curated showcases.

    The participating brands brought iconic heritage pieces and forward-thinking creations to the event, reinforcing the intersection of craftsmanship, history, and contemporary aesthetics:

    Iittala unveiled Solare, a new tableware collection inspired by the power of light, featuring glassware, textiles, and home accessories that explore the interplay of brightness and form.

    Fritz Hansen offered an exclusive preview of new anniversary editions of its Series 7 chair, marking 70 years since Arne Jacobsen’s iconic 1955 design redefined modern seating.

    Audo Copenhagen introduced the Pavot Collection, a sculptural series of vessels designed by New York-based creative Colin King. The pieces, crafted in aluminum with a bronzed patina, merge ancient influences with contemporary craftsmanship, inspired by the organic shape of a poppy seed pod.

    Gärsnäs presented the HidaHida armchair, a stunning collaboration with renowned Japanese architect Kengo Kuma, designed in Japan and crafted in Sweden—an elegant symbol of the deep synergy between Japanese and Scandinavian design philosophies.

    Louis Poulsen showcased its Panthella 160, a portable version of Verner Panton’s classic Panthella lamp, blending iconic organic design with modern versatility for contemporary living spaces.

    Beyond this event, Nordic Nest has taken on an increasingly active role in promoting Scandinavian aesthetics on the world stage. Through strategic marketing, exclusive collaborations, and international events, the company ensures that these brands receive the global attention they deserve.


    What sets us apart from other e-tailers is our deep commitment to storytelling and brand-building,” Bergström continues. “We don’t just sell Scandinavian design—we help shape its global presence. This is our first time creating an event of this scale, and we’re proud to support the brands we work with in a new and meaningful way.”

    www.nordicnest.se

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