• photography Sandra Myhrberg
    grooming Alicia Hurst

    all clothing 66°North

    Interview: Kei Toyoshima, New Creative Director at 66°North

    Written by Linnéa Ruiz Mutikainen by Sandra Myhrberg

    Odalisque Magazine, has had the opportunity to speak to Kei Toyoshima, the new Creative Director at 66°North about legacy and his forthcoming projects. 

    The Japan-born fashion forerunner, first entered the global stage in 2008. Working with brands such as Bottega Veneta, Louis Vuitton, and Haider Ackermann. Now,  he plunged into the talked about Icelandic outwear brand, 66°North. 

    Over the last few years, 66°North has seen quite the resurgence. Previously regionally strong, the brand embark on an exciting journey, shaping its identity as a modern brand of contemporary measure. Founded in 1926, equipped to cater protective clothing needs of Icelandic fishermen and workers alike, the now B-Corp and Carbon neutral establishment now attracts both outdoor aficionados and fashion trailblazers.

    Toyoshima himself discovered 66°North when travelling. “I visited Iceland a few years ago. That’s when I first heard of the brand. It’s truly synonymous with Iceland and I found beauty in that. ”When returning for a second visit, he met Helgi Runar Oskarsson, CEO of 66°North. Immediate similarities between Toyoshima’s homeland, Japan, and Iceland sparked inevitable conversation. “We both experience extreme nature. I found it particularly interesting from a style perspective. As islanders, we protect ourselves with layering.”

    When asked about reasoning behind the career-defining change, Toyoshima immediately points at expertise, design, and the balance between both, as his most recent consultancy stint at Louis Vuitton continues. “Working with both 66°North and Louis Vuitton's menswear department creates a mix of luxury and technical industry. My added value is style and design. I see plenty of potential by simply infusing my luxury brand experience, especially in order to expand the
    collection and its customer base.

    ”Toyoshima is aware of functional importance, yet with an exclusive eye. “66°North's core collections mainly consist of historic staples. But they can be worn both in the mountains and pulsating city streets. Today, functional apparel is frequently seen on the runways, but most
    fashion houses can’t really compete with with 66°North. We offer technical and down garment production, with our own factories.”

    His well-anticipated inaugural official collection at the creative helm of 66°North will be presented for the AW24-season. Meanwhile, Toyoshima oversees campaign imagery, strengthening the visual image of the brand. “My vision is to bring fashion and luxury to the collection while staying true to the brand's DNA and heritage. Quality and performance are the most important ingredients of function and durability. The longer our products last, and are useful, the more effectively 66°North can protect its customers and our earth.”


    Moving forward, his next substantial project will examine quintessential brand identity and belonging. Connecting the past with the present is to be expected, a vision running deep in 66°North's veins. “I aspire to make creations that seamlessly transcend time and gender. Merging the past 99 years with the next 99 years,” he explains. The number 99 is paramount, serving a vivid testimony to brand heritage. “It’s 66 upside down. Although it may sound strange, it represents the place we first started. Our attitude of always aiming higher.”

    Elements of sustainability sit nicely alongside, infusing all launches. “Sustainability indicates timeless design. A current uniform that accompanies your lifestyle. We want our vision to be genderless, timeless. I imagine a future where people will love us for a long time, handing us over to the next generation.”

    photography Sandra Myhrberg

    article Linnéa Ruiz Mutikainen
    grooming Alicia Hurst
    model Nathaniel / FYE Management

    all clothing 66°North

  • .

    photography Sandra Myhrberg

    grooming Filippa Finn

    all clothing from Caliroots

    balaclava Carhartt WIP

    trousers Dickies

    belt HUF

    jewellery Tom Wood

    Odalisque x YIKES x Calirooots

    Written by Fashion Tales

    The name behind the pseudonym Yikes is Zacharias Zachrisson (Vacation Forever, Tussilago). He is now debuting in a new Britpop-infused sound that is not easy to put a finger on. Of course, references to Happy Mondays and Primal Scream can be picked up by the listener. Yet, the sound is entirely new and more in line with Zachrisson's stage persona that has already managed to attract an audience during intense live performances.

    Tell us about YIKES, how did it start?
    I'm getting older and I’ve been doing the same kind of emo based indie music for a long time. Sometimes I felt like it wasn’t me 100 percent cause I had a lot of energy running loose in my body and I’m talking about a more upbeat energy that needs to come out and I didn’t get that out from my body before when playing live…I want to jump up and down tearing apart the stage and that shit needs a different energy and that energy is yikes!

    What made you take the decision to move on from Vacation Forever and Tussilago?
    Life.

    Tell us about your first single “Not that bad”
    Not that bad is a journal of a 30 plus something guy with a beer belly still trying to be something not really succeeding but after all, it’s not that bad, you know?

    Tell us about your second single “Five Days in a Coma”
    When I was younger I went to Barcelona a lot of skating and between the skating, We partied a lot and I mean a lot. It was a buffet of drugs and 24h partying like 5 days in a coma…sound kind of dark and maybe it was if you read between the lines but I didn’t back then when I was 16 so it was just straight up being a skate rat and living for the day sounds cliche..and maybe it is but that’s how to feel when looking back on it..so when I heard the beat in the studio my subconscious went to MACBA ( MACBA is the most famous skate spot in Barcelona) in Barcelona skating and partying with my friends, it’s not more complicated than that.

    What’s your go-to outfit?
    Adidas tracksuit jacket, white shirt, and a black tie, and a pair of superstars.

    Favourite live performance?
    Every time I play.

    2023 - what’s happening?
    Embody my visions and dreams that I had in 2022 and go for it 110%.

    photography Sandra Myhrberg
    grooming Filippa Finn

    all clothing from Caliroots

    balaclava Carhartt WIP

    trousers Dickies

    boots Timberland

    belt HUF

    jewellery Tom Wood
  • coat Maison Margiela

    turtleneck Marni
    trousers Saint Laurent
    boots Vetements
    sunglasses Bottega Veneta
    necklaces Channel's Own
    pant chain Vitaly

    photography Joseph Culitice 
    fashion Tiffany Briseno 
    fashion assistant Emily Diddle

    An Interview with Channel Tres

    Written by Dante Grossfeld by Sandra Myhrberg

    Since arriving on the music scene in 2018, Channel Tres has developed a unique style, his own mixture of Chicago house and hip-hop from his hometown of Compton, dubbed “Compton house.” My first introduction to Channel Tres must have been his 2019 remix of “EARFQUAKE” by Tyler, the Creator, and their subsequent collab in the song “fuego,” from Channel’s 2020 EP, “i can’t go outside.” “skate depot,” the one and only single from said EP, became the soundtrack to my late fall and winter that year. Little did I know then that two years and a pandemic later I would be doing a Zoom interview with him.

    What are you listening to nowadays?
    I mean, it changes constantly, and it depends on what I'm doing. When I'm reading, I’m usually listening to Herbie Hancock. Listening, I've been listening to Thundercat.

    You went on tour with Thundercat a few years ago. How was that?
    Yeah, last year. It was beautiful. Great musicians.

    You've collaborated with a lot of big names recently, like Thundercat and Tyler, the Creator.
    Would you say that has changed how you view music in any way?

    Not necessarily changed how I view music. Maybe changed my creative process a bit, but not really.

    How would you say your process has changed?
    It’s just become looser. I’m taking charge of my creative process with myself and just making a bunch of ideas and learning the process of finishing and growing with records and making things that I like.
    You know? Trusting the feeling.

    Has your process also changed because of COVID in some way?
    No, not really. No, it didn't change with COVID. I mean, I made some different things because of COVID, but I was working the same. I'm a bedroom kind of producer from the start so it was just kind of going back to what I started doing or have always been doing. I was just home more so I wasn't on the road much.

    Your latest EP, refresh, was completely instrumental. How did your experience creating that differ from your earlier work?
    Well, I made that project while I was on tour with Thundercat. That was the first tour I got on. It was like two and a half months long. That was the first tour I was on since COVID so the first couple weeks I was kind of miserable because I was just drinking and trying to do what I usually do while I'm at home, but it was weird because you're on the tour bus, and we were playing shows every night, so I kind of had to go back to the basics within myself. I brought my laptop, but I didn't bring studio equipment. So I just went to Guitar Center. I think I was in Boston, and I just bought gear and then I just had my tour manager set it up in every green room, and then what I would do is just before the show, after the show or during that downtime, I just started making beats and then that's kind of how refresh came.

    You've also been experimenting with a lot of different genres. Would you say there are any genres that you would like to explore more going forward?
    I think eventually I want to do a jazz album. A full jazz album. And, you know I really have a love for country music in a weird way. I mean, it's not weird to me, but maybe to some people it might be. But you know, I want to experiment with country music and experiment with film scoring as well.

    Are there any particular people you'd like to work with? Any directors for example?
    No, not really. I don't really have a list of directors, I just would like to work with one whose project I'm excited to be on, and they're excited to have me a part of it.

    In general, where do you think you see yourself in 10 years?
    I’ll probably be like some sort of top star by then and have a grand story. And I see myself having children, and you know, investing into my community in different ways, through art programs and maybe I’ll end up writing for TV or write a book or something.

    And you're going on tour soon again, right?
    Yeah, I'm starting my North American tour in a week. What do you what do you hope to get out of that? Well, it's my first North American tour, so I'm excited to see who my fans are. I designed it hands on, so that was fun, and the show is just coming together. And now I’m with a new stage design. It's just trying to see how my creative things work and see how it affects people and what I have to learn and take back and change for next time.

    Do you have any words of advice for up-and-coming artists? Because you you've had a pretty
    quick rise to fame, right?

    No, I wasn't quick. I mean, it seems quick. And I know I've been working on it since I was five, you know? Maybe things just happened a little back-to-back to back, but it wasn't quick. I had to go through a lot of stuff to get here. I would say be consistent. Look at yourself as a project. Look at yourself objectively and see what you want to ad and see what areas you lack in, and use vision boards to kind of craft because it comes in waves and it comes in moments and it takes years. So, you have to kind of look at it day by day. Maybe a month you want to spend working on this particular thing because you know it's going to advance you in this way. Right now, I'm working on song writing because I want to get better. So I'm writing words and reading lists. Learning how to write poetry. Poetry is not necessarily music, but it's something that'll help with me get familiar with more words and it'll help me craft songs better.

    Are there any specific themes that you want to explore more in your song writing?
    I have a hard time writing about myself and different things that I go through on a day-to-day. So, learning how to craft those things in a song in a certain way.

    Channel Tres’ upcoming EP will be titled “Real Cultural Shit.”

    tank top Vintage
    trousers Celine
    gloves Valentino
    sunglasses Dior
    necklaces Channel's Own
    coat Marni
    shirt Lanvin
    trousers Saint Laurent
    boots Vetements
    gloves Valentino
    coat Maison Margiela
    turtleneck Marni
    trousers Saint Laurent
    boots Vetements
    sunglasses Bottega Veneta
    necklaces Channel's Own
    pant chain Vitaly

    tank top Vintage

    trousers Celine 
    sunglasses Dior

    gloves Valentino

    necklaces Channel's Own

    photography Joseph Culitice
    article Dante Grossfeld
    fashion Tiffany Briseno
    fashion assistant Emily Diddle
    overshirt & gloves Valentino
    tank top Vintage
    trousers Celine
    sunglasses Dior
    necklaces Channel's Own

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