• The Waldorf Project / FUTURO - X (Thailand, 2019)
    all images courtesy of Waldorf Project

    Virtual Serenity – Engineering Empathy

    Written by Dante Grossfeld by Nicole Miller

    In 2012, during one of his Waldorf Project performance art pieces in London (where all their performances except for the 2018 Stockholm performance, 2019 Thailand performance, and 2019 Lufthansa performance have taken place), founder Sean Rogg did something remarkable: he successfully manufactured empathy in a group of 40 people. By using sight, sound and touch to subject the participants of his experiment to anxiety and, as he puts it, “trauma,” followed by a state of euphoria, he managed to create a strong emotional bond between them.

    Many began to weep, others held hands. This went on for almost exactly eight minutes, before the mood abruptly changed and things “went back to normal.” The next time he performed the experiment, the same thing happened again, and it went on for eight minutes. As well as the next after that. The participants all developed a close emotional bond stemming from shared trauma and euphoria, but it never lasted more than eight minutes.

    Since then, Rogg’s goal has been to develop a method of engineering empathy on a larger scale, with more people and for a longer period of time. His next experiment to this end, Virtual Serenity, will be held at Sergel Hub in Stockholm on the 26th and 27th of April, and will incorporate VR technology, a tool which Rogg believes will open up many new possibilities.

    Upon entering the Sergel Hub venue, located in the heart of Stockholm, right around the corner from Sergels Torg, I am greeted by a massive industrial interior, reminiscent of a renovated warehouse. Usually this space is reserved for conferences, but with this project, as Rogg explains, Sergel Hub will make its debut into the world of art.

    On a bar counter along one side of the room lies a collection of 300 VR headsets. Rogg explains that these will all be linked together through a series of complex systems in order to create a network of connection throughout the room, where participants will be seated in groups of four.

    In previous experiments, Rogg has employed immersive theater, contemporary dance, and molecular gastronomy in order to design an experience, but this time VR is his tool of choice. “If you boil it right down, it’s about human connection. The technology is just a tool to connect. So it’s not about having a VR experience, it’s about connection,” he says.

    The use of VR technology with biometric sensors will allow the experience to be personalized for each person, adapting in order to elicit the desired emotional response. Each person will go on a unique journey, but, if everything goes according to plan, it will be one that draws them all closer to their group mates and to every other person in the room.

     

    The Waldorf Project / FUTURO - X (Thailand, 2019)
    The Waldorf Project / Virtual Serenity Test (Berlin, 2024)

    The Waldorf Project / FUTURO - X (Thailand, 2019)

    all images courtesy of Waldorf Project

  • photography Niklas Nyman
    courtesy of Stylein

    Inside the World of Stylein: A Conversation with Founder Elin Alemdar

    Written by Jahwanna Berglund by Nicole Miller

    For over two decades, Elin Alemdar has shaped Stylein into one of Sweden’s most beloved fashion houses, defined by its warm minimalism, architectural silhouettes, and timeless approach to dressing. Now, with the opening of a new flagship boutique on Mäster Samuelsgatan 6, Stylein enters a bold new chapter, one that invites customers into the heart of the brand, both physically and emotionally.

    In this intimate conversation, Elin Alemdar, the founder of Stylein, speaks about the vision behind the new space, the evolution of the brand since its early beginnings, and the creative partnership that continues to drive it forward. From mood boards to mood shifts, Scandinavian heritage to international expansion, this is a behind-the-scenes look at a brand that remains deeply rooted in its DNA while confidently stepping onto the global stage.

    Jahwanna Berglund: Congratulations on the new boutique! Mäster Samuelsgatan 6 is right in the heart of Stockholm’s fashion scene. What drew you to this particular location, and what does it represent for Stylein at this stage?

    Elin Alemdar: We have been longing for this opportunity for such a long time! Biblioteksstan in Stockholm really does represent the perfect mix of high luxury and contemporary fashion district where we as a brand fit in perfectly.

    JB: Stylein is known for its understated elegance and architectural silhouettes. How have you translated the essence of the brand into the design and atmosphere of the new store?

    EA: We have been using the same words for inspiration as we do when creating a new collection, and always staying true to our DNA such as warm Scandinavian minimalism. I got obsessed with the word cocoon and wanted it to feel as if you were entering the inner heart of our brand when visiting the store. Therefore, the architects – Thibaut Allgayer Design Office and Tomai Studio by Tomai Nordgren – interpreted that with the round shapes of the store and a warm, welcoming energy. For me, that represents us as people and as a brand, to stay inclusive in all aspects.

    JB: Can you tell us a bit about the creative process behind the interior? Were there any specific moods, destinations, or artistic references that inspired the space?

    EA: For us as a brand, it’s always important to present something that’s timeless yet still intriguing and with a modern twist to it, the same applies to the aesthetic of the boutique. I’m so pleased with the result: a space that reflects our collections through organic, sculptural shapes and carefully considered design elements. The boutique was brought to life by the creative vision of Thibaut and Tomai, a duo known for their high-profile store concepts in Seoul, Dubai, London, and now Stockholm. They truly captured that Aha! Feeling from the very first step inside the boutique.

    JB: When someone steps into your store, what do you want them to feel, not just about the clothes, but about the world of Stylein?

    EA: That they want to stay and be a part of our universe. It’s not only a store; it's a destination where we showcase the truest expression of our brand’s essence. The designs really do sell themselves within this interior, and that’s a great satisfaction.

    JB: Looking back, how would you describe the evolution of Stylein, from where you started to where you are today?

    EA: Oh, wow! It’s been such a long journey. I started the brand when I was 20 years old and let me tell you that’s a long time ago… The brand obviously exuded a younger and more urban vibe to it, and I feel so warm in my heart thinking of that now, 24 years later. Today we are very confident in our brand and know well about our muse, who she is and love the fact that she’s an international woman who loves to invest in high quality and perfect fit of her designs.

    JB: In what ways do you think Swedish culture and the Nordic way of life have helped shape the Stylein aesthetic?

    EA:
    That’s always a tricky one since it’s hard to say these things about yourself and not having a perspective but I’m sure my heritage of Scandinavian life and couture affect my designs in many ways. We are brought up with a very sustainable way of thinking and with a lot of respect for our mother nature.
    .
    JB: How do you and your team approach the design journey each season? What sparks that first idea?

    EA:
    I start every collection by creating a mood board and a world for our muse. It could be a city she’s traveling to or a state of mind she has for a specific occasion. Then I present this to my partner in the company, Ulrika Fohgelberg Nordén (Partner & Sales Manager), and we sort of dive into the world of our muse together. We ask ourselves what kind of drink she’s having, how she would style herself with jewelry, and what perfume she loves at the moment. Our muse doesn’t like to shop. She's all about less is more and hates to pack. So, our job is to create the perfect looks for her to combine both day and night.

    JB: You and Ulrika play integral roles in Stylein’s growth, creatively and strategically. How do you complement each other when navigating big moments like a new store opening?

    EA:
    We complement ourselves in so many ways. I see our partnership as a blessing bigger than pretty much everything in my journey with Stylein. Ulrika has a rare and distinct taste and always stays curious but not flaky. That combination is crucial to build a brand. She also calms me down when things are tough and helps me with perspective on most things in life. She usually says that there’s no one as competitive and with a fighting spirit as me and I guess that’s true, so I do need someone from time to time to tell me to take a deep breather before answering that text or calling that person. But the most important thing about our partnership is that we do love to have fun and to have a good laugh on a Monday morning. That’s everything. That’s what matters!

    JB: And finally, what’s next? Can you share a glimpse into Stylein’s upcoming direction, be it new categories, creative risks, or international expansion?

    EA:
    We have the most intense and exciting year ahead, I’d say. This spring we’re launching with Harrods and Liberty in London, as well as Oberpollinger in Munich. We’re also going live with a digital popup in Korea, and these new markets will be our primary focus for 2025. We just wrapped sales for Fall 2025, and we’re so proud to have new stockists like United Arrows in Japan, Selfridges in London, and Harvey Nichols in Dubai onboard. So even though we’re technically an “old” brand, it really feels like the journey is just beginning!

    Quick Fire

    A timeless piece every woman should have in her wardrobe?

    The perfect shopper – Stylein Yacht Bag.

    The one Stylein item you find yourself reaching for again and again?
    I love our denim, and denim never gets old.

    Stockholm’s best-kept style secret?
    Oh, tricky one. I don’t know but I would say get a glass of bubbles and go to my favourite bar, Teaterbaren, on a Saturday at lunch and see the transformation from day to night and you’ll have inspiration for a long time. I love this place, it’s like my living room and the people who come in for a drink are just very inspiring.

  • creative direction and set design Kiki McKenzie and Laila Franklin / Paradiso Studio
    photography Mattias Bardå
    fashion Daniel Darko
    makeup Ugla Snorradottir
    dress Sofus van Mierlo
    corset Leon Lindgren
    shoes and stockings Stylist's Own
    accessories Pearl Octopussy

    Much ado about everything

    photography by Mattias Bardå by Zohra Vanlerberghe

    dress Hope SS25
    stockings Swedish Stockings
    shoes & Other Stories
    earrings All Blues
    ring Pearl Octopussy

    dress, stockings and shoes Emma Carling
    top and skirt Emma Carling
    earrings Stylist's Own
    top Victoria Chan SS25
    shorts Leon Lindgren
    tigths Swedish Stockings
    shoes Stylist's Own
    creative direction and set design Kiki McKenzie and Laila Franklin / Paradiso Studio
    photography Mattias Bardå
    fashion Daniel Darko
    makeup Ugla Snorradottir
    model Margreth Sallamba / Fiiri Agency

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