• Anton Corbjin 1-2-3-4

    Written by Meghan Scott
    Anton Corbijns's photography is the epitome of cool, his first series of photos were published at the ripe age of 17, a local magazine chose three out of nine photos he took of a local band in his small town in the province of Utretch, in the Netherlands. His strictly analogue practice in today's world of high performance digital cameras and retouching programs is a force to be reckoned with, he prefers the imperfection and the tension of not having the instant gratification we are accustomed to these days. In this series 1-2-3-4, contact sheets, covering his body of work through the years that have been stored away since their original release, have been revisited, this time from a different perspective. Never seen before options from the iconic photos of our rock n' roll heroes and iconic personalities we have grown up idolizing have been carefully selected by Corbijn to be shown firsthand at the Fotografiska Museet (The Museum of Photography) in Stockholm, Sweden. Odalisque Magazine had the privilege to join an intimate audience on the opening day to have a private tour alongside a Q & A with Corbijn himself and the museums, name, to discuss the nature of the big catalogue 1,2,3,4 exhibit.
     
    “This is a celebration both of a world of musicians and photography that no longer exists. All presented in the big catalogue 1-2-3-4 to go with this exhibition with the same name. I am so happy that I was able to work in this very intuitive personal way, sometimes having an idea, often not, whilst doing my job for magazines. I was not focusing on what could be sold to others. Today I blame magazines for asking photographers to take safe and impersonal pictures. And because of the massive competition, pho­tographers are keeping it nice and safe so they can sell all over the world.”, Corbijn officially states. 
     
    Corbijn has helped shape the images of the likes of Siousie Sioux, Metallica, Nick Cave, Tom Waits and Nirvana. In the Q & A Corbin reminises about revisiting the contact sheets after all these years, flooded with emotions of people lost and peculiar situations while shooting. He speaks of the time spent working with Depeche Mode and his continued relationship with them, how the music and his visuals in the videos are synched. We hear about his relationship with Nick Cave, special times spent with U2, The Rolling Stones. Also, how he is way more focused on making films rather than taking photos in a world of 'perfection'. Corbijn also touches base on trust, trusting your work and others, “Trust is not intelligent, it's intuitive”
     
    If you live in Stockholm or are passing through and have an affinity for rock nostalgia and have been following Corbijn's work, you cannot miss this exhibition.
     
    1-2-3-4 is on view from Septmeber 16 thru December 4, 2016
  • photography by SANDRA MYHRBERG / The New Agency
    stylist MICHAELA WIDERGREN
    grooming LINDA SUNDQVIST / Adamsky Management
    model JOHAN R / Elite Stockholm
    jacket FILIPPA K X MONOBI
    shirt & trousers WOOD WOOD

    Filippa K x Monobi

    Written by Blenda Setterwall Klingert by Michaela Widergren

    To feel ready, up for any activity and protected against different weather conditions in the clothes you wear is something many urban hobby athletes dream of. Over the past decades the line between casual and smart dressing in our society has gotten increasingly blurred and an active, healthy lifestyle has become something of a status symbol. Along with this, sportswear, running shoes, raincoats, and all sorts of high-tech materials have made their way from the outdoor and gym departments to the catwalk, and everything in between.

    Reaching that level of multifunction in a garment without compromising its fashion grade is an ongoing experiment and challenge in the fashion world. In Sweden this type of clothing has a great fan base, partially due to our history of preferring a casual minimalist wardrobe where a garment should preferably be useful in multiple situations, but also naturally due to our weather conditions where a good jacket always is considered a sensible investment. This autumn, Swedish fashion house Filippa K has paired up with the Italian luxury brand Monobi to create what they call a capsule-collection for their men’s department, starring classic jackets in high-technological materials. We asked designer Alexander Schaper a few questions about it.

    - I got inspired by classic high-end umbrellas. They have a great benefit, they are easy to understand and have a beautiful architectural shape. They combine natural and technical materials and everyone has one.

    B: In what context or situation will you be in need of the jackets? What environments and situations has inspired you?

    A: The idea was to be prepared for any winter or autumn weather conditions without looking like wearing a classic rain coat or down jacket. We created styles that work in a more professional but also in more casual urban environment.

    B: For whom are the jackets created?

    A: The jackets are for men that want to look modern and fashionable yet do not want to compromise on the benefits technology.

    B: Speaking of design, what were the inspirations for the different models?

    A: We looked at military garments and asked ourselves how should a trench coat, anorak or field jacket look like today. We kept distinctive elements of each garment but modernized them to become a contemporary piece of garment.

    B: How did you choose the different fabrics and materials for the jackets?

    A: We wanted the benefit of membranes, foils, downs and such yet we wanted to create a new perception of functionality and style. None of both should dominate the other. Therefore we combined different material ideas together and bonded e.g. premium wools together with functional membranes or tight weaved cottons with insulating metal foils.  

    B: Why do you think we need high-technological, more functional material in urban clothing? Has any of the expectations or demands changed by the consumers on the quality of clothes? In that case, what do you think is the reason being?

    A: I rather think that in these days we have the possibilities to manufacture the things. It is great to surprise with something that might look familiar but offers extra benefits. Wearing your wool coat to work and knowing that even if it starts to rain you won't be soaked is great…

    B: In the future, could you design such a collection but for women?

    A: I think that is such a interesting area to explore. there is a big lack of functional womenswear that does not look like outdoor or hiking clothing. I would love to create technical garments that are still emotional and flattering for women…

     
    jacket FILIPPA K X MONOBI
    shirt WOOD WOOD
    sweater FILIPPA K X MONOBI
    pike TOMMY HILFIGER SPORT
    trousers K.O.I
    hat BRIXTOL
    coat FILIPPA K X MONOBI
    sweater NIKE
    jacket FILIPPA K X MONOBI
    top & shorts TOMMY HILFIGER SPORT
    tights NIKE
    shoes FILIPPA K
    jacket FILIPPA K X MONOBI
    shirt K.O.I
    tights NIKE
  • photography by MONA BENSAFIDDINE

    An Interview with NHORM

    Written by Felicia Eriksson

    Mathilda Nilsson and Hanna Rudebeck are the brains behind the hot new Swedish fashion label Nhorm that is showing their collection for the first time during SS17 Stockholm Fashion Week this week.
    Odalisque had the opportunity to visit their studio while the duo was preparing for FW.

    Felicia: Tell us about Nhorm.

    Mathilda: Nhorm started back in 2011 when we studied Fashion and Textile design together at the University of Borås in Sweden. When the year was coming to an end and Hanna was moving back to Malmö and I was going back to Stockholm, we both realized that we still wanted to have some kind of connection.

    Hanna: We also helped each other with applications for different schools and we noticed that we worked very well together. So it was kind of a breakup and a new start combined.

    M. Then we studied in different cities, Hanna in Copenhagen and myself at Konstfack in Stockholm, so we have worked apart until a year ago when we moved into this studio.

    H. When we finished school we mentally decided to go 100% for this. We have focused a lot on the producing and selling aspects in the last six months, which is something new for us.

    M. Before we handle the selling in a pretty idiotic way because we sold out our entire archive (laughs), that’s how we have funded all the new project.

    F. How do you cooperate in the design process?

    M. When you’re a duo, people get obsessed over who does what and who does that. My friends
    were here last weekend and wondered what I had designed, and that’s not really the way things work.

    H. However, the administrative work has increased and we have divided it between us.

    M. In that way you can pretend that your company is larger than it really is and call yourself the financial manager and so on [laughs].

    H. It's mostly Mathilda who makes the prints.

    M. And you do more of the draping.

    H. It happens inevitably when you work this tight with someone. You end up not knowing where the ideas came from, it’s constantly a mix.

    F. The name Nhorm, what does it mean?

    H. In fact, it's just our initials thrown around. It’s Nilsson, Hanna and the O is for ”och”, the Swedish word for “and”, just to connect it and then Rudebeck, Mathilda.

    F. Do you have any constant source of inspiration?

    M. The way we work with inspiration is constant. It’s a disrespectful mixture of different references.

    H. The whole process is very visual. We pick elements from existing garments and we always work with several different methods. In our last collection we worked with the concept of panels so it was like a red thread and then we applied it to the garments. One thing that always have been a kind of theme is the idea of function and decoration.

    M. It’s always these opposites. It’s very gratifying to say that right now we’re inspired by this but also this and they automatically become opposites. But then, you’re starting to find similarities between them and it’s quite fun because you don’t have to choose one side of them.

    H. One thing that inspires us a lot in the beginning of the process is different materials and colors. Like the combination of two materials, or colors.

    F. Do you feel that Nhorm is filling some kind of void in the existing fashion industry?

    M. To get the opportunity to show at fashion week prove to us that we can do this. So I think that our work definitely have filled a blank space.

    H. In Sweden absolutely however, internationally I think we’re a part of a bigger scene.

    F. Your previous collection was shown at Amaze (an experimental arena for Swedish fashion, editors note) together with a few other selected designers. This time you will have your own show?

    M. Yes, this time it's just us. To show at Amaze has of course been fantastic and we have learned so much, but now we are solo and that’s just super exciting.

    H. It’s gonna be a completely different audience which we are ready for. This is the ultimate test, everything will be under the microscope. You can see right away if something is good or bad.

    F. Last time at Amaze you decided to show the collection as a short movie. Will you play with the format of the presentation this time as well or will it be difficult with the classical format of a catwalk?

    H. Yeah, we have dropped that thought now but we’ve had a lot of ideas about how to continue on the same path with the different angles and the controlled gaze. Instead we will use these thoughts in all the material created around the collection.

    F. Berns may also be a very limited place to show?

    H. Yes, but at the same time it feels great, Berns is like the center and the heart of fashion week.

    M. We were honestly quite afraid in the beginning, but now it feels great.

    H. I’m really looking forward to the day of the show. We take care of the seating and guest list and so on. We have a bunch of friends who will help us with that so I think it’s gonna be a really good atmosphere there. We can go into that room and make it ours. Its gonna be like a huge Nhorm party [laughs].

    F. Tell us about the new collection!

    H. It’s called TRIBUTE and its a continuation of the previous collection 'themewise'.
    We’ve beeninspired by female RnB artists and the late 90s. There’s a lot of very strange and very glittery tops and baggy jeans. So we’ve been inspired by that whole silhouette and the materials.

    M. You know that TLC video when they wearing those silk pyjamas? There’s a lot of contrasts in that world that speaks to us. The collection is a remix of a remix. There’s these yummy and colorful colors. Pink and bright yellow. And that Lil’ Kim picture hanging over there at our inspiration board. She has this very short skirt and a top on the red carpet. It’s a little weird and disrespectful.

    H. I really do hate this word but, its very much a game, they have fun with it. TRIBUTE is not a anxious collection. It’s very direct and very visual.

    M. And also very carefree, which is pretty much who we are.

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