•                                                              jacket Remake 
                                                                         lace Hope 
                                                             shoes Stina Rand 

    An Interview with Miynt

    Written by Decirée Josefsson by Oskar Borin

    Miynt’s Fredrika Ribbing believes in the purity of interpretation where she allows her music to be translated into a unique experience filled with magical substance. As a listener you get to experience a liberated sound, where the music described by the artist herself is similar to a life without routines. The pure feeling of the moment acts as the guiding light. Her musicality and artistry is organic, confident and joyful which mirrors her work. Let the melodies create an endless soundscape of wander in a summer hazer together with Miynt.

    How come music as an art form has interested you?
    I’ve always been drawn to music and it’s always been around at my house growing up. My dad is a big consumer of music and I tuned into that as well. He is a big David Bowie fan and that made me a big Bowie-fan too.

    Can you hear and sense any differences in your songwriting when you look back at your journey?
    I think that there is a difference skill-whise, for the simple reason that I know more now. But when it comes to melodies and what sounds I’m drawn too, it’s kind of the same. The biggest reason is how I feel about the project. In the beginning I thought that Miynt needed to represent the whole me musically, which is a lot of pressure to put on a project and especially when you are going to release your first song. I think I’ve managed to change that perspective and today I view my music more as an extended version of myself that can sound in a lot of different ways.

    What made you let go of the mind ghost and be able to start releasing music on your own?
    When I lived in London I used to go for long walks in Victoria Park comparing my demos to some of the worst songs I could think of. While listening to these songs it gave me some sort of kick like “damn maybe I can make music after all”. When I moved back to Sweden I shared my music with a friend for the first time and that really helped me gain the confidence to view it more like something real. To get that first positive response was really important.

    What advice would you give your younger self?
    I used to have this idea that I couldn’t sing, and it took a while for me to understand my own voice. I would tell myself to stay focused on making music rather than analyze it. And to stay calm and trust the process of time.

    In our time people tend to highly value external affirmation, could you describe your relationship towards that?
    It’s kind of a weird thing to relate to and I’ve been thinking about that quite a lot.
    I think for me personally, writing music is so attached to the joy and love for that specific process. To create something out of nothing is the most exciting thing there is. That is the foundation of why I even started making music in the first place, but when you seem to get more likes from a selfie rather than a post about releasing new music, it makes you a bit confused. I really don’t have an answer on how to relate to it. The value can’t be in the response. I guess they can co-exist as long as the like- culture doesn't interfere too much with the creative process.

    How do you keep yourself grounded?
    I try to have some sort of balance, it’s an ongoing project. But in general I try to fit in some nature and some friends and family. I take a lot of long walks and that’s been kind of the way I clear my head.

    Do you consider it important to tell the listeners about the meaning of your songs or can the music sometimes speak for itself?
    I don’t really feel any need to control how others are going to comprehend my music and I’m not a big fan of talking about the story of my music in general. I think that it’s amazing when a song can live on and be translated into a new history with a different meaning for that specific listener.
    There is some sort of obsession with clarity which I don't agree with. It’s like we don’t trust people to be able to comprehend if the individual doesn't know exactly what to look or listen for.

    What can we look forward to?
    I’m working on my next release at the moment. It feels very exciting, there are a lot of songs that are supposed to get down to at least half. I’m trying to make the theme both clear and diffuse. There might even be a song out quite soon who knows..

          top Stina Rand 
          trousers Remake 
       
      shoes Tamaris
    jacket Tara Byakko/The Swedish School of Textiles
    trousers Lisa Helena Jacobsson
    top Hope
    trousers ADNYM
    dress Märta Wallgren/The Swedish School of Textiles
    jacket Minna Palmqvist 
    trousers Victoria Chan 
    jacket Remake
  • photography Kristīne Madjare
    fashion Sabīne Groza
    dress Loreta Asermane
    rings & shoes Tribal Hotel

    Full Moon Affair

    by Kristine Madjare by Sandra Myhrberg
    top, leggings, coat & shoes Marija Jurkovska
    earring & rings Tribal Hotel
    bodysuit Milēna Emīlija Seržante
    skirt Elza Kolomenska
    earrings & rings Tribal Hotel
    jacket H4rdc0rr
    bra & leggings Baiba Ripa
    accessories & shoes Tribal Hotel
    dress Džeina Lubāne
    rings Tribal Hotel
    shoes Milēna Emīlija Seržante
    dress Baiba Ripa
    tights Stylist’s Own
    shoes Džeina Lubāne
    accessories Tribal Hotel
    top Anna Jurjane
    skirt Loreta Asermane
    dress Sigria Mintika The Studio
    top Baiba Ripa
    cape & rings Tribal Hotel
    top & shorts Zaiga Brutāne
    tights & shoes Snakecake Vintage
    knit Baiba Ripa
    bodysuit, rings & shoes Tribal Hotel
    tights Stylist’s Own
    bag Snakecake Vintage
    dresses Madara Indriksone
    shorts & shoes Tribal Hotel
    tights Stylist’s Own
    knitted bodysuit Baiba Ripa
    trousers Sigria Mintika The Studio
    shoes Luize Valtere
    total look Tribal Hotel
    dress Loreta Asermane
    dress & bag Loreta Asermane
    shoes Snakecake Vintage
    cape, veil & shoes Milēna Emīlija Seržante
    top & leggings Sigria Mintika The Studio
    cape, veil & shoes Milēna Emīlija Seržante
    top & leggings Sigria Mintika The Studio
    photography Kristīne Madjare
    fashion Sabīne Groza
    hair & makeup Dārta Ašmane
    models Alexa & Paula / Moon Models
    Ilana / The Bro Models
  • TEKLA x JACQUEMUS

    Written by Fashion Tales

    TEKLA and JACQUEMUS launch homeware and sleepwear collection.

    Copenhagen-based homeware brand Tekla has collaborated with French fashion brand Jacquemus on a collection of sleepwear pieces and products for the home.
    The collaboration is rooted in the shared values held by Tekla and Jacquemus, resulting in a collection that further draws on parallels between their aesthetic universes.
    “This collaboration between our two brands came naturally and spontaneously. I have always dreamed of developing a bedding and homewear line, with TEKLA it was the perfect match. I’m a great fan of the brand and I feel we share the same universe and inspirations.” Simon Porte Jacquemus


    The collection features a bold use of stripes in a consistent colour palette, developed by Jacquemus in response to Tekla’s classic pieces. The patterns are used across percale bedding, a linen bedspread, terry towels and a bathrobe, classic poplin sleepwear, and sleepwear-inspired pieces including tops, shorts, a bra and a bandana.


    Playful elements – a lovers’ towel made large enough for two, a strapless top inspired by men’s boxers, and a bathrobe with an exaggerated belt and button-through closure inspired by traditional sleep shirts – are present in the collection, alongside more functional details like removable co-branded canvas tags on bedding.


    Much like Tekla, Jacquemus represents a modern approach to luxury, one that’s inclusive and focused on beautiful pieces that are made to the highest standards.” Charlie Hedin, Founder and Creative Director at Tekla.


    Jacquemus and Tekla combine their visual universes for the launch campaign, capturing the collection against the dramatic landscape of Nonza beach in Corsica. The images echo Tekla’s own visual language and the striking settings Jacquemus is known for. Prominent Danish photographer and long-time Tekla collaborator, Philip Messmann, captures the campaign.


    All pieces in the collection are crafted using Tekla’s high-quality, 100% organic cotton percale, poplin and terry fabrics, and 100% French flax linen.
    The collection arrives in time for the festive season, launching 30 November 2022 exclusively at teklafabrics.com, jacquemus.com and in-store at Jacquemus’s Avenue Montaigne location.


    The sleepwear pieces start from €45/£35/50 USD to €195/£160/ 215 USD.
    Bedding single sets start from €160/£140/180 USD and doubles start from €270/£225/295 USD. The terry pieces start from €125/£105/140 USD.

    courtesy of Tekla/Jacquemus
    campaign by Philip Messmann

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